“Love is a Choice”, Ch. 25 (R)–Just Desserts, Just Rewards, and Just-ice, June 17, 2013 Gratiana Lovelace (Post #420)

“Love is a Choice”, Ch. 25 (R)–Just Desserts, Just Rewards, and Just-ice, June 17, 2013 Gratiana Lovelace (Post #420)

aaaLove_is_a_Choice_story_logo_Mar1313GratianaLovelace225x280(An original story by Gratiana Lovelace; All Rights Reserved)

[From time to time, I will illustrate my story with my dream cast of:  Richard Armitage as Lord Rafe Wingate, Carla Gugino as Lady Katharine Southwick Wingate, Lesley Nicol as Mrs. Plunkett, Emilie Francois as Anna Wingate, Mark Strong as Sir Collin MacGregor, Alan Bates as Lord Charles Wingate, Christian Bale as Stuart MacGregor, Daniel Day-Lewis as Sir Antony Southwick, Michelle Pfeiffer as Lady Charmaine Southwick, Catherine Deneuve as Lady Esmѐ Sinclair, Julian Sands as Sir Percival Southwick, Samantha Morton as Lady Lucinda Southwick, Raymond Coulthard as David Harriott, Rosamund Pike as  Fanny Miller, Brendan Coyle as Uncle Miller, Princess Adelaide as herself, Princess Victoria as herself, and others, etc.]     [Story Logo 1abcd]

Author’s Mature Content Note:  “Love is a Choice” is a story of love and romance set in the early to mid 1800’s.  I like Regency sensibilities with regard to comedy of manners, but Romantic period modes of dress.   Ha!  As such there will be some passages in this story involving heartfelt love scenes (perhaps some R rated) and some passages involving highly dramatic moments.  I will label the maturity rating of those chapters accordingly.  Otherwise, the general rating for this story is PG or PG-13 due to some mature situations and topics.  If you are unable or unwilling to attend a movie with the ratings that I provide, then please do not read the chapters with those labels.  This is my disclaimer.

Additional Disclaimer: The Wiki and other reference links I cite contain general information merely to indicate that a place, person, or artifact, etc.,  possibly existed.  Though I try to use real locations in England and I make reference to some historically complementary information whenever possible, the fictionalized history that I write about for these towns, towns folks, and areas in my story are mostly figments of my imagination and should not be taken as fact.

Author’s Recap from the previous installment:  Anna’s Mama’s body was exhumed and transferred to Dearing Manor’s Wingate family cemetery, with proper funeral and burial rites.  It was a sad time for all.  Made more so because Anna’s Mama’s Fanny Miller’s death was revealed to be caused by arsenic poisoning from the mine water wells owned by an absentee landlord, Lord Montgrieve. Sir Collin MacGregor investigated and found that several dozen people had died or were ill from six villages due to the negligence of the mine owner in not informing the citizens of the dangerous tainted water in mine water wells.  So Fanny’s Miller’s and the other deaths were heartbreakingly preventable.  As a magistrate, Sir Collin informed the Crown and a formal investigation is underway.

 

“Love is a Choice”, Ch. 25 (R)–Just Desserts, Just Rewards, and Just_ice

With Anna returning to Dearing Manor and to her Grandmama’s care–whilst her Papa Lord HungtinLodgeatCastleLeslieGlasloughIrelandMar1313GratianaLovelaceTallmanipRafe and his wife Lady Katharine take up formal residence at the Wingate Hunting Lodge [(2) right] to be near Anna–Anna’s life begins to have a comfortably predictable pattern of new family togetherness and small social forays.  Anna has breakfast and quiet ladylike mornings doing needlepoint with Grandmama–while newlywed lovebirds Lord Rafe and Lady Katharine enjoy lingering in their bed chamber as they share their love and tenderness together.  Then there is a swap midday as Anna spends time with her Papa and Lady Katharine for luncheon and activities such as riding lessons or exploring the local villages and countrysides in the afternoons.  Anna especially likes helping Lady Katharine make up and deliver the food baskets for those tenants who are ill or infirm. Anna’s Mama Fanny always had a soft heart for their former neighbors and would give away special pastries to brighten another’s day. Then the Wingate family all meets up for dinner at Dearing Manor.

But it is the afternoons of Tuesdays and Thursdays where Lady Katharine and Anna are alone together while Lord Rafe and his father Lord Charles are away attending to estate matters, that Anna really enjoys.  Because Anna and Lady Katharine are keeping a very great secret from Lord Rafe.  Anna had missed not baking with her Mama–and baking was the ruse for which her Mama sent her to Mrs. Plunkett. So Anna started spending Tuesdays with Mrs. Plunkett baking and Lady Katharine became so curious, she joined them.  So now on Tuesdays and Thursdays, Anna and Mrs. Plunkett are teaching Lady Katharine how to cook pastry treats so that she can make a dessert for her husband soon.  Of course, a lady of Lady Katharine’s station would never have need to know how to cook–let alone even set foot in a kitchen.  But Lady Katharine is nothing if not unconventional and she wants to surprise Lord Rafe by making him dessert one evening.   One just hopes that Lady Katharine’s efforts do not create a gastronomical catastrophe.

And Mrs. Plunkett is a hard task master teaching Lady Katharine to bake, on this lovely Thursday afternoon in late July–four weeks  after they returned to Dearing Manor from the seaside in Essex.MrsPlunketImageisLesleyNicoleasMrsPatmore06inDowntonAbbeyseason3Mar1613IMDB-crop

Mrs. Plunkett:  “Lady Katharine, dearie, would you mind trying to get more flour into our pastries than onto my cottage floor?  It will be sure to attract mice.”  Mrs. P [(3) right] huffs bemusedly with her hands on her hips as she surveys her now thoroughly flour dusted floor in her cottage’s kitchen.

Lady Katharine:  A flour smudge on her cheek, flour covering her cooking apron, and flour dusting her brunette ringlets, Lady Katharine looks apologetically at Mrs. Plunkett.  “I am sorry Mrs. P.  But the flour is so fluffy that it gets away from me.”  Lady Katharine blows a wilting tendril from out of her eyes while her hands are busy kneading dough to make a pie shell.  “Pfff!”

Anna:  Smiling from the sidelines–and neat as a pin from her years of experience helping her Mama Fanny make pastries–Anna says encouragingly.  “You are improving, Kathy. At least there is less flour on the floor than when we started these lessons four weeks ago.”

Mrs. Plunkett:  “Not by much!”  She states challengingly.

Lady Katharine:  “I will help clean up your floor, Mrs. P.”  She nods apologetically. Though Lady Katharine has never cleaned anything in her life and she does not know how to go about it.

Mrs. Plunkett:  “You will do no such thing, dearie!” She says in shock.  “What would the manor staff think of me were I to have the young master’s wife cleaning my floors?  Let alone, what would the young master think?”  Mrs. Plunkett shakes her head. “But I am grateful for ye offring.”  She smiles.

Lady Katharine:  “I do so appreciate you helping me, Mrs. P.  I think Rafe will enjoy my surprise.”  Lady Katharine smiles hopefully.

Anna:  “Now remember Kathy, this time that you make the Dutch apple pies, be certain to put brown and white sugar and lemon juice over the pie slices before you place the top crust on.  Your pie last week was a bit tart without the sugar.”  Then Anna winces at her impolitic gaffe of pointing out Lady Katharine’s Dutch apple pie [(4)] baking error in front of another, Mrs. Plunkett–and Anna adds quickly.  “But, of course, some people like their pies tart.”

Mrs. Plunkett:  “Lady Katharine, Are ye certain that you want me to bring your Dutch apple pies when they are baked for dinner tonight–as if they were made by me?”  Mrs. Plunkett enjoys her weekly evenings of baking special desserts for Dearing Manor dinners–not the least of which is they send a carriage for she and her desserts.  And Mrs. P would be loathe to not be asked back were her desserts tonight not deemed up to her usual excellent standards.

Lady Katharine:  She pouts.  “Do you not think I am ready to have someone other than us eat my desserts?”  Lady Katharine so tries to get the dessert and pastry recipes right–but she has a penchant for inadvertently leaving out key ingredients–like sugar–that tend to be important in sweet desserts.

Mrs. Plunkett:  “Aye.”  She says warily. Then she sighs.  “I suppose that your desserts have to be tested sometime.” She smiles, then casually looks away from Lady Katharine and whispers under her breath and shakes her head.   “Oh lord!”

Lady Katharine does indeed make two Dutch apple pies for tonight’s Dearing Manor dessert that Mrs. Plunkett will take to the manor for her once they finish baking.

***
Meanwhile, Lady Katharine drops Anna back at the manor in her open gig before she returns to Wingate Hunting Lodge.   But Lady Katharine is late and she will be pressed for time to tidy herself up before her husband Lord Rafe sees her.  Racing upstairs and calling out to their butler Smithers, Lady Katharine is hopeful that tonight will be a triumph–or at least, not a complete dessert disaster.

Lady Katharine:  “Smithers, has my ladies maid prepared my bath?”

Butler Smithers:  “Yes milady.”  He calls out to her speeding up the stairs.  “But I fear it has been waiting for you long and might need rewarming.”  He winces.

Lady Katharine:  “I will be fine!  I will start my bath.  Just please send my ladies maid to me with some more hot water.  Thank you.”  Her voice trails off as she enters her bed chamber and shuts the door.

Lady Katharine sheds her clothes even faster than when her husband assists her before their romantic trysts.  She spies the tub in her dressing room and steps into it.

Lady Katharine:  “Eeeeee!” She screams with the chill of the water assaulting her body. But she begins to wash herself, praying for the hot water to come soon.

Downstairs, Lady Katharine’s cry is heard.

Lord Rafe:  Just entering his front door.  “Good god, man! What is wrong?” Lord Rafe worriedly looks at Smithers as he quickly heads for the stairs.

Butler Smithers:  “Lady Katharine just arrived and her bath water had gone cold.  I warned her to wait for rewarming, but she asked me to have her ladies maid bring her some hot water.”  He shrugs his shoulders.

Lord Rafe: Smiling mischievously as he turns around, he asks.  “Did she now?  Hmmm.  Well, I will be the one to take the hot water to My Lady.  And please have my valet make my bath water made ready in my dressing room.”

Butler Smithers: “Of course, My Lord.”  Butler Smithers eyes widen.  He knows that Lord Rafe is a newlywed, but Smithers finds Lord Rafe’s husbandly devotion more shocking than when Lord Rafe’s paramours visited.   But he bows deferentially.  “Please wait here and  I will bring you Lady Katharine’s hot water myself.”

Lord Rafe:  “Thank you, Smithers.”  Lord Rafe smiles with a wickedly raised eyebrow as he removes his gloves and slaps them on the palm of one hand.  He has a rather devilish gleam in his eye.

After receiving the large metal pitcher with two gallons of hot water in it, Lord Rafe walks briskly up the stairs.  He enters their bed chamber and sees Lady Katharine’s dressing room ajar.  She is sitting in her bath with her back to the door.

Lady Katharine:  “Matilda! Is that you?”  She barely glances over her shoulder. “Please come and pour the warm water in my bath.  The water is colder than I had thought and I am freezing!”

Lord Rafe moves without speaking toward the dressing room.  He enters and sees his wife’s lovely bare shoulders–also noticing the powder in her hair.

Lord Rafe:  Touching the dusted top of her hair, he smilingly asks.  “Going for the French style, My Angel?”

Lady Katharine:  “Rafe!”  She startles and then plunges her head under the water–completely soaking her hair.

Lord Rafe: “Ha ha ha ha ha ha ha!”  He rocks his head back in laughter as he walks around to the foot of the tub facing Lady Katharine as she surfaces, holding her arms in front of her breasts. “Hmmm.”  He growls.  “You are like a mermaid rising from the sea with your wet hair clinging about your shoulders.

Lady Katharine: Knowing his eager tone, she tilts her head askance and rolls her eyes–while still modestly covering her breasts with her arms.  “Not now, Rafe.  We do not have time.  I must wash my hair and then style it for tonight.  But I fear it will still be damp when we go to your parents for dinner.  May I have the warm water please?”  She asks eagerly as she shivers.

Lord Rafe:  “Of course, My Love.”  He smiles and slowly pours some of the hot water into her bath.  “Now let me know if it gets too hot.”

Lady Katharine: “Ahhh!  It feels wonderful! Thank you!  Let me put some soap in my hair to clean it of the … dust …”  Really of the flour.  “… and then you can rinse it for me.”  She smiles, now completely at ease with being naked in her bath in front of her husband and having him participate in such intimacies as assisting her with rinsing her hair.

Lord Rafe:  “As you wish, My Angel.   And, then may I join you?”  He smiles wickedly.

Lady Katharine:  “Oh but Rafe!   We will get water everywhere …”  She blanches impishly, then she blushes.  “… like the last time.”   It seems that Lady Katharine does not mind the floor of Mrs. Plunkett’s cottage being overrun with flour, but she wants her own dressing room to stay neat and tidy.

Lord Rafe:  He holds out his hands to her.  “What about a compromise then?  We shall go to my dressing room to bathe together.  I do not mind sloshing water onto my dressing room floor.” He grins from ear to ear.

Lady Katharine nods her head shyly.  Then Lord Rafe pours warm water over her hair–rinsing the soap out of it–before he assists her in stepping out of her bath, patting her dry a bit as he kisses her. And then she puts on her robe to dash into his dressing room, after they are sure that his valet has left his dressing room.

Lord Rafe and Lady Katharine scamper into his dressing room, doff her robe and his clothes before they sit in the tub–with lady Katharine straddling her husband’s abdomen, facing him. Lord Rafe and Lady Katharine kiss each other adoringly as they slosh water everywhere in his tub and over the edge and onto his towel covered dressing room floor.  Then Lord Rafe’s kisses move to his wife’s lovely neck as he pulls her closer to him, but they are not yet joined as one.

Lady Katharine:  “Rafe, are we ever to be on time for your Mama’s dinner parties–even if it is just family?”  She pouts cutely.

Lord Rafe:  Looking up from kissing her neck adoringly, Lord Rafe responds succinctly with a gleam in his eyes.  “No!”

Lady Katharine: “But what must they think of us?”  She bites her lower lip primly, though desire is in her eyes.

Lord Rafe:  “Kate, they will think that we are busy attending to their wishes.”  He smiles impishly.

Lady Katharine:  “Their wishes?”  She asks quizzically.

Lord Rafe: “Yes!   The getting of more grandchildren for them–and an heir to the title.  Ha ha ha ha ha!”

Lord Rafe eases Lady Katharine over him and pulls her toward him as they join their bodies together.

Lady Katharine:  “Rafe!”  She cries out in mortification for his words’ intent, mixed with pleasure as her husband kisses and caresses her adoringly as they couple together again, and again, and again, and again, etc.

Lord Rafe:  “My Angel.” He smoulders as he kisses and caresses her loveliness before him, inciting gasps out of Lady Katharine.

Lady Katharine:  “Oh!  Oh my!”  Lady Katharine closes her eyes as she runs her fingers through her husband’s hair with his face is buried in her breasts.

The two of them create quite a bit of sloshing tub water that spills over onto the surrounding towel covered dressing room floor.  And then, their lovemaking culminates in perfect shared bliss as they tremble in passionate synchronicity.  Their panting breathing eventually slows as they cuddle in the water together for a few moments more of loving togetherness, kissing each other sweetly.  But then they must rise and dry themselves before dressing and heading to the Manor house for tonight’s family dinner.

***

Though Lady Katharine’s long hair did not have time to dry, her ladies maid Matilda braided her hair into a long braid at  the back that she then fastened into an oval bun at her crown.  Of course, the family politely says nothing about Lady Katharine’s hair being wet as they enjoy their evening meal.  Then dessert arrives carried by the footman on a silver platter.

Lady Leonora:  “We have a treat tonight.  Mrs. Plunkett made us some Dutch apple pie for our dessert.  I do so love her pies.”  Lady Leonora smiles at everyone.

Lady Katharine’s stomach does flip flops worrying that her pies might not have turned out alright.  She watches closely as everyone receives their slices.  Anna smiles at her encouragingly.

Lord Charles: “Well, I can’t wait to eat mine.”  He cuts a large portion of his pie slice with his  fork and scoops it up into his mouth  “Hmmm.” He growls in appreciation.

Lady Katharine:  “Do you like it, Papa?”  She asks hopefully of her father-in-law.

Lord Charles: “I do!” Lord Charles Wingate is an eager epicure [(5)]–especially of desserts.

Everyone takes a bite of their pie to taste it–even Lady Katharine.  And she is pleased with the result as well.

Lady Katharine:  “It is good.”  She admits with a bit of astonishment.

Lord Rafe: “Well, Mrs. Plunkett is one of the best dessert cooks around.”   He smiles.

Anna:  Piping up, she announces cheerfully.  “Except Mrs. P did not make these pies–Kathy did.”

Everyone looks in astonishment at Lady Katharine.

Lady Katharine:  “Guilty.” Lady Katharine smiles sheepishly back at her family.

Lord Rafe:  “My Angel!   You have hidden talents!”  He leans over and nuzzles her neck.

When they are eating en famille, the husbands and wives sit together.  And since Lord Rafe and Lady Katharine are newlyweds–and only dining with family this night–their display of affection in front of their family is tolerated with bemused smiles.

Lady Katharine:  “Not really.  I have just had a few lessons from Mrs. P. and Anna over the last few weeks.”

Lady Leonora:  “Well this is scrumptious, my Dear.”  She smiles warmly at her daughter-in-law.  Then turning to Anna, she tweaks her nose.  “And you little minx, you never gave away the secret.”

Anna:  “Well Grandmama, Kathy wanted to surprise everyone.  I could not ruin her surprise.” She smiles sweetly.

They all go on to finish their yummy desserts and their family dinner.  And that night, Lord Rafe shows his appreciation to his wife for her delectable desert in a more tangible way.

***

Inevitably, the Crown’s investigation into the multiple mines wells poisonings does develop into a full blown scandal.  Lord William Montgrieve as the mines’ owner is brought to trial and disgraced for the mine well water poisonings and his negligence in warning people that caused the several dozen deaths.  But, his negligence was not intentional–however his disregard for public safety was. So the Crown gives Lord Montgrieve a choice.  And he elects to move his family to Australia rather than go to prison in England and then to the gallows for manslaughter.

For his role in discovering the arsenic poisoning and realizing what was going on, Sir Collin MacGregor is made a peer with the title of Baronet of Oxford [(6a)] for his service to the crown and the English people.  This title does not change their mode of address–he is still Sir Collin MacGregor, Lord Magistrate of Oxford and his wife is still Lady Frances.  However, with the succession [(6b)] incumbent upon Baronets, their son Stuart MacGregor will inherit the baronetcy and until then may style himself as Sir Stuart.  Stuart is overjoyed that he will have a title in their class conscious society–a small title, to be sure–but a title that will allow him to compete for any lady’s hand in marriage when the time comes, especially one lady.

Lord Rafe is also slated to receive the crown’s recognition since he had been the one to initiate having Fanny Miller’s body be moved, and thus the poisonings were discovered.  Lord Rafe wants nothing for himself–but he does for Anna, his and Fanny Miller’s daughter. And Anna having been long in the  mind of Lady Leonora’s good friend the Princess Adelaide who will be queen one day, is bestowed the title of Anna Wingate, Baroness of Warwick.  So no one will besmirch Anna’s character now because of the circumstances of her birth.  They would not dare.

But, one has not reckoned with the outgoing Lord and Lady Montgrieve for daring before they leave for exile in Australia.   They plan to crash a royal party to exact their revenge. But it is they who will feel society’s censure.  For the Montgrieves had not taken into account that the toll of their negligence impacted a noble family with royal connections.

***

Kensington_Palace_exterior-image-Jun1613wiki-hi-res-shrpIt is August 1826 at a London garden party with some childrePrincessAdelaide_Amelia_Louisa_Theresa_Caroline_of_Saxe-Coburg_Meiningen_by_Sir_William_BeecheyJun0813wiki-crop-brtn’s activities that will be hosted  at Kensington Palace [(7) left] as part of the birthday festivities for heir to the throne Prince William, Duke of Clarence and planned by his wife Princess Adelaide [(8) right].

Now in half mourning for Anna’s Mama Fanny, the Wingate family relents and graciously accepts the Duchess of Clarence’s, Princess Adelaide’s kind invitation to the Royal garden party in honor of Prince William.  An afternoon Royal garden party social gathering being less formal than an evening Royal dinner that Lady Leonora had previously had felt that they needed to decline for Anna’s sake.

The newly titled Anna Wingate, Baroness of Warwick, is especially included in the inPrincess_Victoria_aged_Four_1823_by_Denning_Stephen_Poyntz-Google_Art_ProjectJun1613wiki-manip_taller-hi-resvitation since Princess Adelaide wants some young people there to help entertain her seven year old niece, the Princess Victoria [(9) right]–this being a rare time when they were able to pry the little princess away from her Mama, the Duchess of Kent.  And this was only accomplished because the garden party is being held on the grounds of Princess Victoria’s home, Kensington Palace–with her Mama the Duchess of Kent unfortunately needing to stay indoors due to a headache. The Duchess not wanting to have to wish her brother-in-law Prince William a happy birthday, but realizing the necessity of having her daughter Princess Victoria do so in order to maintain some meager benevolence from the Royal Family.

The Wingates walk through the receiving line–with Anna wishing Prince William a happy birthday and then meeting his wife Princess Adelaide with a deep curtsy that her Grandmama Leonora had taught her–with Princess Adelaide caressing Anna’s cheek.

Princess Adelaide:  “Baroness Warwick, you are charming my dear–just as my dear friend your Grandmama Lady Leonora described you.”  Princess Adelaide smiles at Anna, then at her friend Lady Leonora who is beaming.

Anna:  Curtsying again, Anna replies with a shy smile. “Thank you your Highness.”

Princess Adelaide:  Turning to her niece at her side, she says.  “Victoria, allow me to introduce Anna Wingate, Baroness of Warwick. Baroness Anna, this is my niece, the Princess Victoria.”

Both girls smile, nod, and curtsy to one another.  But Anna may not speak to Princess Victoria until the princess speaks to her first.

Princess Victoria:  “Baroness Anna.  I am glad to meet you.  Everyone else here today is so tall.”  The petite seven year old princess is, of course, referring to all of the adults in attendance.

Anna: “Ha ha ha!”  She giggles. “Just so, Princess Victoria.”

Princess Victoria:  “I like your nose, Baroness Anna. I draw a little.  May I try to drawAnnaImageisEmlieFrancoisasMargaretSense&Sensibility1995Mar1613burptv-crp-clr your nose?”  She asks politely impishly as the royal seven year old princess she is.

Anna:  Curtsying again, Anna [(10) right] smiles.  “I would be honored, Princess.”

Princess Victoria:  Turning to her Aunt, she asks brightly after standing in the receiving line for an hour.  “Aunt Princess Adelaide, may I please be excused to seek refreshment with my new friend?  I want to draw her nose.  And I have been greeting people for over an hour.”  She may be only seven, but Princess Victoria’s facility for strategic bargaining is well developed.

Princess Adelaide:  “Yes my dear.  Baroness Lehzen may retrieve your drawing pencil and paper for you from your room.”  She motions to the princess’ nanny.

Princess Victoria: Princess Victoria admits sheepishly.  “No need Aunt, Lehzen already has some with her.  I bade her bring them with her thinking that I might see some interesting faces today.”

Princess Adelaide:  Completely bemused by being out maneuvered by a seven year old, she relents. “Then my dears, be off with you.  I entrust you to the care of my favorite friend, Lady Leonora Wingate.  My Dear.”  Princess Adelaide and Lady Leonora kiss cheeks.

Lady Leonora:   She curtsies. “Princess Adelaide.  I am honored to undertake such a charge.”  She smiles at the two girls in deep conversation.  “They seem to have taken to one another.”

Princess Adelaide:  “C’est bon!   Little ones are so dear.”  She smiles at Lord Wingate who then escorts his wife, Anna, and Princess Victoria to the refreshment tent–with Baroness Lehzen trailing behind.  And then Princess Adelaide turns to the newlyweds.  “Ah, we see the bridal couple.  Lord Rafe.”  She extends her hand to him.

Lord Rafe bows, then kisses Princess Adelaide’s hand.

Lord Rafe:  “Your Royal Highness, may I present my wife, Lady Katharine Southwick Wingate.”

Lady Katharine curtsies and smiles at Princess Adelaide.

Princess Adelaide:  Caressing Lady Katharine’s cheek as well, Princess Adelaide smiles kindly at her.  “Charming.  This is your first time at court, I believe my dear.”

Lady Katharine: “It is, your Royal Highness.  It is most gracious of you to invite us.”  Lady Katharine has been practicing that line their whole carriage ride here. Lady Katharine is a little in awe of being in the presence of royals, her not having been at court before–she was married almost as soon as she was out, and thus had no time to circulate.

Princess Adelaide: “I am delighted.  I believe your dear parents and brother and his family arrived earlier.”

Lady Katharine: “Thank you, your Royal Highness.  I will look for them.”   She smiles.

Everyone curtsies and bows again as they leave the receiving line headed for the refreshment tent.

***
Once in the refreshment tent, the Wingate family spies their daughter Lady Louisa and her family at a table and join them.  Baroness Lehzen sits out of the way at a nearby table–watching over Princess Victoria from  a discreet distance.  After introductions to  Princess Victoria are made,the men–Sir John Throckmorton, little Henry,  Lord Charles and Lord Rafe–seek  out punch for their ladies and the children.

Meanwhile, Princess Victoria and Anna sit off to the side of the table nearer the open flap of the tent for more sunlight as Princess Victoria begins to draw the face of her new friend–starting with her nose.  Lady Leonora, Lady Katharine, Lady Louisa and little Lottie look on with warm amusement

Princess Victoria: “Now you must hold still Baroness Anna, or I will not get your portrait right.  I am good at drawing eyes, but noses continue to elude me.” She pouts with her seven year old lips cutely.  “So I apologize ahead of time.”  She shrugs her shoulders sheepishly.

Anna: “I am certain you will do a fine job, your Royal Highness.  I have no talent for drawing myself.  But my Papa’s wife Lady Katharine does.  She drew my Mama’s portrait for me.”  Her face saddens a little.

Princess Victoria:  “Oh?”  Princess Victoria looks over at Lady Katharine. “Lady Katharine is not your Mama?”  Princess Victoria has been spared the details of how Anna came to live with her father, Lord Rafe.

Anna: Anna replies cautiously. “No, my Mama, Fanny Miller, died three months ago.FannyImagisRosamund-Pike-as-Jane-Bennett-008Apr0413guardiancouk-resized-crop-rough-pastels  Lady Katharine is my …”  She falters for how to describe their relationship.  “She is … my Kathy.”  Anna concludes as she looks over at Lady Katharine and smiles.  Lady Katharine smiles back at Anna.  “Here is the portrait of my Mama that Lady Katharine drew for me.”  Anna takes the small framed portrait of her Mama  [(11) right] that she always has with her out of her reticule and shows it to Princess Victoria.

Princess Victoria:  “Your Mama looks lovely.  I am sorry for your loss.” Anna nods her thanks for Princess Victoria’s kind solicitude.  “And this is a very good drawing.”  Princess Victoria compliments the artist and Lady Katharine nods her thanks.

The Wingate and Throckmorton men return with the punch and several plates with selections of treats and sandwiches on them that they share with their ladies. The ladies consume them hungrily then return to their chats and drawing. Clutching a chocolate éclair in one hand and meat sandwich in the other hand, three year old little Lottie toddles over to Anna and Princess Victoria.

Charlotte:  Looking at Princess Victoria closely, Lottie asks–without waiting to be spoken to first.  “I am Lottie!  Aw you a weal pincess?” (Are you a real princess?)  The letter R is still a problem for Lottie.  Then Lottie takes a bite of her chocolate éclair, getting a bit of chocolate frosting on the tip of her nose.

Princess Victoria: Smiling amusingly at the only four years younger Lottie, Princess Victoria takes her napkin and wipes the chocolate off of Lottie’s nose.    “Yes, Lottie.  Are you enjoying the refreshments?” Princess Victoria asks politely.

Charlotte: “Yes!”  She takes another bite.  Her Mama, Lady Louisa shakes her head and smiles.  Charlotte leans into her cousin Anna and Anna wraps her arm around Lottie’s shoulders.   “Anna and I made a pincess towah.” She smiles recalling the blocks stacked on top of each other.

Henry:  Not wanting to be left out of the conversation, five year old Henry saunters over to the Princess and bows deferentially.  “Your Royal Highness.”  Then he reaches for Princess Victoria’s hand to kiss it–like he has seen the men do.  But he is thwarted in his attempt.

Princess Victoria has her hands full with a napkin in one hand and her drawing pencil in the other–that she holds up to show him.  So she shrugs her shoulders with a smile.  Princess Victoria has not been around many children near her own age, but she usually finds that the boys are mischievous. Undeterred from not getting to kiss his princess, Henry gazes at her adoringly.

Anna:  “That was quite a bow, Henry.”  He does not respond.  Then Anna gently nudges him.

Henry: “What, Anna?”  He looks at his cousin with annoyance.  “I can look at Princess Victoria if I want to.”  Then he turns to the princess again and says.  “Our fleet of ships are in port at London and ready to take you wherever you want to go your Royal Highness.”

Princess Victoria looks at him quizzically–her not being clued into five year old Henry’s war games.

Charlotte:  Ever the literal one at three years old, Lottie corrects her brother.  “Henny, the pincess is not high, she is low–like us.” Lottie taps the top of her head with the palm of her hand–to indicate her shortness.

Anna starts giggling, then Princess Victoria giggles, then the whole Wingate extended family giggles

Charlotte: “I funny.”  Lottie says pridefully.  Though, of course, Lottie does not realize how she is being funny–she just likes everyone laughing.

***

A little while later, the Southwicks enter the refreshments tent–Lady Katharine’s parents Lady Charmaine and Sir Antony Southwick, and Lady Katharine’s brother Sir Percival Southwick and his wife Lady Lucinda Harriot Southwick, with Lady Lucinda’s eighteen year old brother David Harriot in tow.  This is one of the first public events that Lady Charmaine has attended since her recovery from her stroke two months ago.  More introductions are made to Princess Victoria and more polite enjoying of refreshment ensues.

David brings his punch and plate of sandwiches and treats and sits down next to Anna who has returned to sitting patiently for Princess Victoria’s portrait of her.

David:  “I see that you have captured the royal attention, Baroness Anna.” He smiles warmly at her while using her new title.

Anna:  Wrinkling up her nose at him, she smiles while still facing forward.  “Oh David, we are friends. You need not use my new title when speaking with me.”

David: He bows his head.  “I am honored to be accorded such intimate familiarity with my lady.” David picks Anna’s hand up and kisses her knuckles.

Princess Victoria:  “Baroness Anna, I am moving to drawing your nose now.  Please kindly do not move it.”

Anna: “Yes, your Royal Highness.”    She smiles.

David: “I fear that I have intruded.”  He smirks with a gleam in his eye.  “I will leave you ladies to your art.”  He stands and bows deeply to Princess Victoria, then nods his head to Anna.  Then he walks over to his sister Lady Lucinda and chats with her.

Princess Victoria:  “David seems nice–and he is certainly handsome.  I like his nose.  Are you going to marry him, Baroness Anna?” Princess Victoria looks up at Anna with an impish grin.

Anna:  Flustered, she asks.  “Why do you ask?”

Princess Victoria:  “I do not meet many younger people. And the boys whom I do meet usually want to marry me–or their  parents want them to marry me.”  She shrugs her shoulders.

Anna:  Anna looks at Princess Victoria in astonishment.  “Forgive me Princess Victoria, but you are only seven years old and I am only eleven years old.  Do you not think that there is much time before we have to make such a momentous decision as to whom we wish to marry?”

Princess Victoria:  Setting down her drawing pencil, Princess Victoria looks at Anna with a knowing eye. “Ah ha!   I have uncovered a secret!   Baroness Anna, is there another boy whom you like that David Harriott is in competition with?”

Anna:  “Well.”  Anna lowers her eyes and looks to the side.  Then she leans forward and whispers to Princess Victoria.   “His name is Stuart MacGregor.  He is fourteen and his father is my Papa Lord Rafe’s oldest friend.”

Princess Victoria: “Hmmm.”  She smiles.

The two young girls continue to chat as Princess Victoria draws.

***

Lady Charmaine:  Gazing out upon the throng of garden party attendees heading toward the refreshments tent where they are sitting, Lady Charmaine spies something amiss and whispers to her husband.  “Good heavens!   What are they doing here?  They cannot have been invited.”

Sir Antony:  “What?”  Lady Charmaine points in the direction of the Montgrieves walking straight for them.   “Oh Lord!”

Knowing that the Montgrieves walking toward them are being exiled to Australia for the mine poisoning scandal that took Anna’s Mama’s life, Sir Antony hopes to spare Anna any additional distress.  So Sir Antony strides over to his son-in-law, Lord Rafe, and taps his shoulder.

Lord Rafe: “Yes?”  He says turning around.  “Sir Antony?”Sense&Sensibilityc03-4HarrietWalterandJamesFleetMar1613bpeblogspot-crp-flip-clr-shrp-hi-res

Sir Antony:  “Look!” As he points to Lord and Lady Montgrieve [(12) right] still 50 yards away, but walking toward them.

Lord Rafe: “Lord!   I thought they would have been assigned to oblivion by now.  We must prevent Anna from seeing them.” He looks over at his daughter enjoying chatting with her new friend, Princess Victoria.

Sir Antony:  “My thoughts exactly.  I say we intercept them.”  Then he turns to the men in their extended family group. “Gentleman, we have intruders to eject.”

The men look in the direction of the Montgrieves who have been the source of much grief for the Wingate, Southwick, and Harriot families.  Lord Rafe, Lord Charles, Sir John, Sir Antony, Sir Percival, and David storm out of the refreshments tent toward the Montgrieves–a solid wall of titled, male, filial, and fuming nobleman approach and detain the Montgrieves who do not back down easily.  If the Montgrieves are being forced to leave England, they are doing so most unwillingly.  Of course, everyone inside and outside of the refreshments tent becomes riveted to the unfolding drama before them. The garden party attendees–and their royal hosts Prince William and Princess Adelaide–begin to gravitate toward the group of obviously agitated men.

Lord Montgrieve:  Billy Montgrieve throws the first salvo, dripping with sarcasm as he pats his wife’s hand on his arm.  “Well, well, well, Southwick, I see that you have reconciled with your son … David Harriott.”

Sir Antony:  Sir Percival holds his father back from jumping onto Lord Montgrieve.  “You are a cad!  I have only one son!  No offense, David.”

David:  “None taken–except from this low life who has caused my family harm.”   And David having no family member to restrain him, hauls off and punches Lord Montgrieve in the nose for having besmirched his mother’s honor.  “That was for my Mama, a kinder more honorable woman never existed.”

Lord Montgrieve: Lord Montgrieve stumbles backwards and falls to the ground, grabbing his bleeding nose. “Ow!   He accosted me!   Arrest him!”  He pleads to the Royal Guards standing at attention throughout the garden party.  But the guards do not take orders from convicted criminals.

Lady Montgrieve: “Billy dear, are you alright?”  She frets, but recoils from the bloody mess that is his face.  She does not want to soil her new garden party frock.  Clearly, Lady Montgrieve has misjudged the gravity of the situation that she and her husband now find themselves in.LordRafeimageisRichardArmitageasJohnThorntoninN&Sepi2-171Jun1713ranet-crp-mask-clr-hi-res

Lord Rafe:  Clenching his own fists, wanting to hit Montgrieve, but being held back by both his father and his brother-in-law, Lord Rafe [(13) right] hisses. “You murderer!  You bastard!”

Lord Montgrieve:  Lord Montgrieve shifts to a sitting position on the ground as he holds a pressed linen hankerchief to his bloodied nose and he turns his cold calculating eyes to Lord Rafe and spits venom. “Lord Rafe, I should think that you are the one acquainted with bastards–considering you fathered one.”

Lord Rafe:  “Argggg!  Let me go!   Let me at him!”  Lord Rafe struggles to break free to pummel Lord Montgrieve.”  But his father and brother-in-law hold him fast.

Then a small person with the most claim of grievance against Lord Montgrieve walks through the line of men to stand in front of Lord Montgrieve and accuse him before all in an eerily calm voice belying her tender eleven yeras.

Anna:  As tears stream down her cheeks, Anna slowly lifts her arm and points to the man on the ground, Lord Montgrieve. Her voice is solemn but determined–mounting in volume and fury as she continues.  “You killed my Mama.  She was only thirty two years old when she died from your poisoned water.  I loved her and she loved me.  And you killed nearly forty other mothers and grandmothers and daughters in six villages.  What right have you to be alive now?  You should be dead, dead from drinking the poisoned water that killed my Mama and all of the others.”

Anna had moved forward during her scathing attack and now stands towering over the sitting man.   Lord and Lady Montgrieve shrink back from her as they see the menacing crowd’s faces around them.

Crowd:  And the nobles in the crowd begin to chant a shunning cry. “Death to Montgrieve! Death to Montgrieve! Death to Montgrieve!”

Prince William, Duke of Clarence gently unhooks his wife’s hand from his arm and walks forward to stand next to Anna.   He raises his hand to silence the angry mob of nobles.

Prince William:  “My countrymen, we are a people of laws.”  The crowd murmurs its dissent.  “And this man has submitted himself to that justice and he was judged guilty and sentenced.”

Crowd: “No!   Hold him accountable!   He is a murderer!”

Prince William:  Turning to look down at Lord Montgrieve, he states in an even tone.  “This man’s punishment was to be exiled to Australia with his family–in lieu of imprisonment and death were he to stay in England.”

Crowd:  “Boo!   Boo!”

Prince William: “I said was.”  The crowd becomes silent.  “Lord Montgrieve, the ship you were to have taken to  Australia sailed this morning.  But you were not on it.”   Prince William intones sardonically.

Crowd: The crowd of nobles gasp in realization.  “Hhhh!”

Prince William: “I am pleased to learn that you submit yourself to the proper judgement of prison and death.  And your family will also not escape your disgrace–and your lands and fortune are forfeit.”

Lord Montgrieve: Finding his voice, Lord Montgrieve fumbles in astonishment. “Bbb … but, we decided to take the ship next week!”

Prince William: “The decision to delay your departure was not yours to make.”  Then Prince William turns to the soldiers standing at attention. “Guards, remove this man to the Tower to receive his judgement of death–by the very water that killed all of those people, especially this young lady’s Mama.” The soldiers move quickly to carry out their orders.  “Baroness Anna.”  Prince William gestures and bows to Anna, she holds her head high and curtsies to Prince William.   Then Prince William turns to his guards leading away Lord Montgrieve and he also sees a cowering Lady Montgrieve.  “Remove his wife as well–I care not where.   I hear that she is as much of a snake as her husband.”

Crowd:  Then a cheer goes up.  “Hurrah! British justice prevails!  God save Prince William!”

Prince William:  Giving the Royal wave, he thanks the crowd with a nod.  “Now let us enjoy the rest of our party.”  And he and Princess Adelaide each kiss Anna’s cheeks before returning to the receiving line to greet their invited guests.

***

Anna watches Prince William and Princess Adelaide leave and the crowd disperses–leaving her alone, but for her father Lord Rafe.

Lord Rafe:  Coming up to stand behind his daughter, Lord Rafe gently touches her shoulder and whispers. “Anna, I am so proud of you.”

Anna:  “Papa!”  Anna turns and sees her Papa, then she falls into his arms in a faint from the strain of it all.

Lord Rafe quickly catches his daughter and lifts her into his arms, carrying her back to the refreshments tent where their family is.  And where they might get cool water to dab her face with.  Lord Rafe sits in a chair, cradling an unconscious Anna in his arms.

Lady Leonora: “Oh Anna!”  She covers her mouth in shock and worry.  What had begun as a lovely day, has ended most tryingly.

Lady Katharine: “Here is a cool cloth.”  She gently dabs the linen napkin dampened with cool water onto Anna’s forehead, cheeks, neck and chest.

Anna:  Starting to rouse, Anna whimpers a bit.  “Hmhh, hmhh.”

Lord Rafe: “I think she is starting to come around.  Anna Dear, Anna.” He whispers gently.  And then Lord Rafe blows on his daughter’s forehead.  Lord Rafe does not know why he is blowing on her forehead, he just instinctively feels that it might help.

Lady Leonora gazes at her son with a knowing smile.

Anna: “Mama?” Anna’s eyes flutter open.

Lord Rafe:  Wincing, he says softly.  “No Anna Sweetheart, it is just me–your Papa.”

Anna: “But I felt Mama.  She blew on me.  Mama used to blow on my face to wake me up in the morning.”

They all gasp. And Lord Rafe looks to the side, as if he is remembering something.

Lord Rafe: “Oh!”  Lord Rafe whispers and tears up.

Lady Katharine:  “What is it, Rafe?” She asks tenderly.

Anna:  “Papa?”

Lord Rafe:  He smiles as he gazes down at Anna.  “I remember now, Anna. It was a game your Mama and I played after we napped when we picnicked in the woods.”  Of course, more than picnicing and napping went on, but Lord Rafe is telling the age appropriate and mixed company version of the story.  “Either I would blow on your Mama’s face, or she would blow on mine as a way of gently waking each other up.  I do not know which of us started it.”  He shrugs his shoulders.

Lady Leonora:  Tearing up, Lady Leonora rests her hand on her son’s shoulder as she gazes at her son and granddaughter.  “Rafe, it must have been you that started it with Fanny.  Because when you were a little baby and toddler, that is how I would wake you up.  You must have remembered that.”

Lord Rafe smiles up at his Mama. They both have tears in their eyes.

Lord Rafe:  Then looking back at his daughter Anna with love and tenderness, he caresses her face as he helps her sit up. “Anna Sweetheart, maybe your Mama blowing on your face to wake you up was somehow her way of linking you to me.”

There is not a dry eye in the tent.

Anna: “I think so, Papa.  We shall have to put that in my memory book about Mama.”

Lord Rafe:  “Yes we shall, Anna Dear.” He caringly smiles at his daughter.

Anna stands up from her father’s lap and steadies herself as he offers her his arm.  Then a thought occurs to her.

Anna: “Papa, where is David!?” She looks around the refreshments tent.

Lord Rafe:  Lord Rafe looks around also, but his family are standing too close, obscuring his vision.  “I do not see him.”

Lord Rafe stands up and he encloses his arm around his wife Lady Katharine’s waist and she lays her head on his shoulder.  There is no jealousy in her about her husband remembering his loving time with Anna’s Mama–because Lady Katharine knows that Lord Rafe loves her.  He shows his love to her every day in the consideration he gives her, in the tender way he talks to her, and in the loving nights of passion that they share.

David has been hanging back from this intimate family scene–and nursing his hand after punching Lord Montgrieve. David takes one step forward out of the shadows.David-Harriott-image-is-of-RaymondCoulthard-as-Frank-Churchill-in-Emma1996May1913austenitisblogspot

David: “I am here, Baroness Anna.” David [(14) right] says softly as he bows deferentially to her, clearly favoring his right hand that he cradles in his left hand.  “My compliments, you were most courageous to do what you did.”  He smiles warmly at her.

Anna:  Anna walks over to David and lightly touches his elbow.  “As were you, thank you, David.”  Anna looks up into eighteen year old David’s eyes and she notices how blue they are and how tall he is.

David: “My pleasure.  I only did what we all wanted to do.”  He smiles humbly at the men in his extended family–including Lord Rafe–and they nod back at him.

Anna:  “We should get you some ice for your hand, David.”  She suggests solicitously.  Then Anna gestures to a server who puts some crushed ice from surrounding the fruit bowl keeping it cold, into a clean linen napkin and hands it to her.  Anna carefully wraps the ice in the napkin and then gently presses it to David’s knuckles.  “There.  Is that better?”  Anna asks caringly looking up at him again.

David: “Yes. Thank you, Anna.”  David sighs as he gazes tenderly down into the very young eleven year old Anna’s eyes.  And he thinks, maybe some things are worth waiting for.

And seven year old Princess Victoria sitting off to the side of the Wingate family members nods her head with a knowing smile.

To be continued with Chapter 26

References

1)       “Love is a Choice” story logo is a composite image comprised of:
a) Gold wedding gown (cropped to fabric of skirt) found at
http://0.tqn.com/d/honeymoons/1/0/C/w/belle2.jpg

b)  Oval picture frames were found at
http://www.inlineovals.com/product_images/q/675/602agp__91104_zoom.jpg

c)  Image (cropped, masked, brightened, color) representing Lord Rafe Wingate is that of Richard Armitage as John Thornton  in North & South  (2004) episode 2, picture 66 was found at
http://www.richardarmitagenet.com/images/gallery/nands/album/episode2/ns2-066.jpg

d)  Image (cropped, masked, brightened, color) representing Lady Katharine Wingate is that of Carla Gugino  as Nan St. George in “The Buccaneers” (1995),  Episode 1 vlcsnap-ooh09m21s203 Mar1313 Gratiana Lovelace screencap (cap)

2) Image of Wingate Hunting Lodge is actually Castle Leslie Estate in Glaslough, Ireland (image manip for symmetry of background) was found at


http://i1.bookcdn.com/data/Photos/LargePhoto2/51/5177/5177962/Hunting-Lodge-At-Castle-Leslie-Estate-Glaslough-photos-Hotel.JPEG

3) Mrs. Plunkett image is Lesley Nicol portraying Mrs. Patmore in Downton Abbey series 3 epi 6 from IMDB 
http://ia.media-imdb.com/images/M/MV5BNDQ3MTYyNjkwM15BMl5BanBnXkFtZTcwNjA3NDIwOQ@@._V1._SX640_SY427_.jpg

4) Dutch apple pie recipe was found at http://allrecipes.com/recipe/dutch-apple-pie/

5) An “epicure” is one who  is a food afficianado; the definition is found at http://www.merriam-webster.com/dictionary/epicure

6)    a)-A list of British titles of the nobility is found at http://en.wikipedia.org/wiki/British_nobility ; b)  information about and examples of Baronetcy titles is found at  http://en.wikipedia.org/wiki/List_of_extant_baronetcies

7) History about Kensington Palace was found at  http://en.wikipedia.org/wiki/Kensington_Palace  ; and the image for Kensington Palace was found at
http://en.wikipedia.org/wiki/File:Victoria_and_Kensington_Palace.jpg

8) Princess Adelaide of Saxe-Meiningen born near Thuringia, Germany (portrait by William Beechey circa 1831) married  William, Duke of Clarence of England in 1818.  They were crowned King and Queen of England in 1831—he becoming King William IV.  Portrait link is 
http://en.wikipedia.org/wiki/File:Adelaide_Amelia_Louisa_Theresa_Caroline_of_Saxe-Coburg_Meiningen_by_Sir_William_Beechey.jpg
;  For more information about the royal couple, visit  
http://en.wikipedia.org/wiki/Adelaide_of_Saxe-Meiningen

9) Image of Queen Victoria at age four in 1823 (elongated to make her look seven years old) was found at
http://en.wikipedia.org/wiki/File:Denning,_Stephen_Poyntz_-_Princess_Victoria_aged_Four_-_Google_Art_Project.jpg

10) Anna image (cropped, color)  is Emilie Francois as Margaret Dashwood  in the film Sense & Sensibility (1995) and was found at 
http://tv.burrp.com/images/s/f/i/fig58z9g_6u7_2_300.jpg

11) Fanny Miller image  (crop, rough pastels) is of Rosamund Pike as Jane Bennett in the 2005 film “Pride & Prejudice” found at
http://www.guardian.co.uk/commentisfree/2013/jan/06/jane-austen-darling-child-turns-200

12) Lord  and Lady Montgrieve image is of James Fleet  and Harriet Walter in Sense & Sensibility 1995 and was found at
http://3.bp.blogspot.com/-
b_mCVspQhIU/T3FJwp8XjBI/AAAAAAAAB3A/JRelTQE4snk/s1600/c03-4.jpg

13) Lord Rafe Wingate image (cropped, brightened, hi-res, color) is Richard Armitage as John Thornton in North & South (2004) episode 2 pix 171, and was found at
http://www.richardarmitagenet.com/images/gallery/nands/album/episode2/ns2-171.jpg

14) David Harriott image is of Raymond Coulthard as Frank Churchill in Emma 1996 May1913austenitisblogspot was found at


http://3.bp.blogspot.com/-Lg9Rbl861Vg/TmpeGwNTR1I/AAAAAAAAARw/6uSrVrre5e8/s1600/meet+frank+churchill+9+%25282%2529.jpg

“Love is a Choice”, Previous Story Link to Ch. 24 is:


http://gratianads90.wordpress.com/2013/06/09/love-is-a-choice-ch-24-pg-13-fannys-revealed-cause-of-death-has-a-far-reaching-impact-june-09-2013-gratiana-lovelace-post-415/

Posted in "Love is a Choice" story, Creative Writing, Drama, Family, Love and Relationships | Tagged , , , , , , , , | 1 Comment

“I am the Daddy: My Humorous Journeys through Fatherhood” (Short Story), June 16, 2013 Gratiana Lovelace (Post #419)

Dear Friends,
At the end of yesterday’s post, I kind of unintentionally set myself a challenge–regarding my hoping to see Talented British actor Richard Armitage in a fatherly romantic comedy role one day.  And today is Father’s Day in the U.S.  So this little father themed short story popped into my head.    I hope that you enjoy it.

And if you are a father and whether your father is living–or he solely resides in the memories of your heart, as mine does–I wish you all a Happy Father’s Day everyone!

A programming note: Ch. 25 of “Love is a Choice” will publish on Monday, June 17th, then return to its usual Sunday posting schedule.

Cheers!   Grati ;->

“I am the Daddy:  My Humorous Journeys through Fatherhood” 

(An original contemporary short story copyrighted by Gratiana Lovelace;  All rights reserved)

I.  I am the Daddy

My wife Jillian and I meeting and falling in love with each other in our mid twenties was IamtheDaddyStoryLogoTemplate3Jun1513GratianaLovelaceboth fortuitous–she is the love of my life–and amusingly disastrous.  I am nothing if not melodramatic in my forty second year of life.  And me?  I am John Jack Pratt.  I know, I know. Jack and Jill went up the hill.  But Jillian and I didn’t really think about it until the kids came along and we shared nursery rhymes with them.   If you could see me now, you would understand how thoroughly I have changed from before we were married.   Although, my wife tells me that I am still a fine figure of a man–tall, dark, handsome, muscular.  And I still look good in a suit.   However, I have inextricably moved from the realm of heartthrob to that of father in the blink of an eye.  I am the Daddy.  You would also see the slight grimace on my face from wearing comfortable clothes that I adore, but my children find embarrassing. I like my soft weave button down sweaters–even if their sleeves are too short for my long arms, I just push them back to my elbow.  And the hill of yet to be paid bills, serve as a constant reminder of the juggling act that my wife and I must perform.  Do we pay the electricity, the internet, or the water bill this month, or the kid braces bill?  Life is often a challenge–but never boring.

And my life goals have changed direction as well.  There is less me and more our in my and our decision making.  Looking out for others’ needs before my own needs comes with the territory of being a husband and a father.   And parenting is a full time job that is eased by having a loving partner to help shoulder the burdens. And Jillian and I by no means take our loving relationship for granted. Though not ideal, our date nights consist of romantic trysts at 1:00am–once we are assured that the household is fast asleep and not likely to need something from us.  As a result, we don’t get much sleep.  But then, sleep is overrated when it comes to family life.

And don’t get me started on our adorable children whom I love more than life itself.  After all, I gave up all notions of me having a life as soon as they started coming along.  Ha ha ha!  Now now, I am being facetious.  No one explains to you about becoming a father, that the center of one’s universe suddenly shifts to become your children, irrevocably and blessedly.  I truly understood the concept of love when our first child was born.  This tiny little person existed because Jillian and I made her–more about that later.  Gone are my selfish hopes to take a carefree bicycle trip around the U.S. during the Summer months by myself.  Besides, Jillian would kill me for leaving her alone to fend for herself with the children, and I wouldn’t blame her.

No I have Summer camps, and softball, and soccer teams to ferry our children back and forth to in the hope that they will be too occupied to get into mischief.  Like the time that our middle daughter wanted soup and she put the metal tin can in the microwave to heat it  up–without even removing the lid.  I shake my head in disbelief.   Well, she was only eight at the time.  And then there was our eldest daughter who–unbeknownst to her mother and I–would regularly keep her younger sisters up an hour past their bed time to practice styling their hair.  The result of which was, Jillian and I would have extremely sleepy and difficult to awaken daughters the next morning.  This was especially frustrating on school nights since kids need to be bright eyed and eager for school the next day.  So not happening.  We were lucky to get them into non-mismatched clean clothes, hand them their correct back pack–color coded for each child, my idea–and shepherd them onto the correct bus.  Oh, and did I mention?  Our girls are now attending three separate schools this coming school year, too?  A high school, a middle school, and an elementary school.  Our daughters going to three different schools makes coordinating school functions and activities a challenge–hitting the multiple store sales for after Thanksgiving bargains is more easily accomplished.  Ha!

                          II. Daddy to Daughters

But, my daughters are my treasures.  Who are these little darlings?  Well! My princesses are Lizzie fourteen, Eleanor ten, and Emma six–Jillian named our girls after her favorite Jane Austen heroines.  And our daughters are each the picture of their mother’s beauty and personality–loving, giving and kind. With my daughters possessing open upturned faces of such angelic beauty, that my eyes brim with tears whenever I gaze upon them.  That is, they are angelic until they want something.  Then my daughters turn into devilish Anne Boleyns in search of a crown.  While I become the Cromwellian agent through which their desired object can be obtained or denied–a school dance dress for Lizzie, a Facebook account for Eleanor, and a cell phone for Emma.  No, no, and yes.

I mean really, what self respecting father buys the perfect dress for his newly freshman in high school daughter Lizzie who wants to attend the Fall Football Homecoming dance, but hasn’t been asked yet because school won’t even start until next month?  Please.  And when exactly did my little Lizzie grow bosoms?  They just popped out one day.  I can barely cope.  However Jillian out voted me on the dress–as wife and mother her input counts more heavily than mine–appropriately so. And after all, the dress was a discounted store display stock item from the previous Spring’s proms–so it was a bargain at only $300. Ha!   So much for the car payment this month.

And in my view, Facebook and other social media are simply designed to introduce our children to the world of adults far sooner than they are able to understand the complexities of it and how missteps of revealing too much information about their lives have consequences for them in the future.  I stood firm.  When I was a kid, if we wanted to talk to our friends, we ran across the street and rang their door bell–sometimes, we didn’t even knock but walked right in.  In the end, we did let Eleanor have a Twitter account–I shrug my shoulders sheepishly.

However the cell phone as a means of maintaining contact with our newly school bus riding to all day kindergarten Emma last year seemed eminently sensible as I prided myself.  Emma just didn’t need the unlimited texting option, nor did we need the cost.  We ration texting in our family–draconian, I know.  LOL!  It’s just that I want Emma to learn to read and write properly–not in abbreviations that I can’t even decode. Such as, what does CD 9 mean?  I see it on my daughters’ cell phone displays all the time whenever I peek over their shoulders.

III.  Heir Apparent

However, my daughters are my joy. And I had willingly resigned myself to being surrounded by estrogen for the rest of my life after our third daughter Emma was born six years ago.  Jillian and I have been married almost fifteen years now.  We’re in our early forties, we’re settled.   And Jillian would not even listen the few times I thought that I had her in the right mood and I broached the topic of us trying one more time for a boy. She said her breeding days were over, period.  Jillian would cover her ears, and flap her tongue around like she was scat singing.  But a man likes a son to carry on his name–so I never entirely gave up hope.  And then the start of the school year happened last September with all of them in school at the same time–if not in the same school.  The house was blissfully quiet–save for our snoring dog, Rufus.  Jillian and I looked at each other, squealed with glee, and ran upstairs to make love with no chance of being interrupted–in daylight hours, no less.  In fact, we were a little shy, but we got over that quickly.  It is amazing what feeling like you are acting like lovesick teenagers again can do for one’s love life.  Ha ha ha!

And in our romantic zeal?  Well, we forgot to use a condom or her diaphragm–and it was Jillian’s fertile period.  Oops!  So, nine months later to the day, our little prince was born–Dale John Pratt, DJ.   That’s my boy!  I will be sixty years old when DJ starts college eighteen years from now. So my retirement will have to go on the back burner until I get his college paid off.  But I won’t be an old Dad. If forty is the new thirty, then sixty will be the new fifty.  Besides, no matter what age a parent is, we still have the capacity to embarrass our kids–just one of the perks!

DJ is now two months old.  And I know that when he smiles, it is not just gas anymore, I think.    And DJ is just starting to get a personality to him.  Well, if you call DJ peeing in my face, him having a personality. Though, I don’t think he was making a commentary on my ability as a father.  Ha!   At least getting peed on in my face was one thing that I didn’t have to worry about with our daughters.  But now I have the diaper changing system down pat.  I always cover the pee pee–his, not mine–as I am changing him into a fresh diaper.  But good lord, DJ has stinky poos!   And you haven’t earned your parent stripes until you have been through a bout of baby diarrhea. The poor little fella also developed diaper rash and cried mightily with the inflammation.  So we broke out the soothing tush paste ointment tube–rubbing it all over his tush–and soon DJ felt much better.

But here is the thing.  Why do manufacturers put wholly dissimilar products into the exact same tube like dispensers?  Yup!  You guessed it!   Early one morning in the dark of the bathroom–my eyes couldn’t handle any light just yet after a sleepless night being up with a fussy baby DJ–was when I grabbed for the toothpaste, but unknowingly slathered my toothbrush with DJ’s diaper rash paste ointment.  Oh my god!  A worse tasting experience you will never have!  Blech!  I am shuddering even thinking about it now.  It took me an hour to wipe the ointment out of my mouth, teeth, and tongue–having to stop several times to gag–and then trying to reclaim my mouth’s freshness with rinsing my mouth out with a whole bottle of minty flavored mouthwash, to no avail.  My wife wouldn’t kiss me for two days–not until my mouth no longer smelled, nor tasted, like our son’s tush.   Frankly I couldn’t blame her.

IV.  Men-struation

Another fatherhood experience with my middle daughter Eleanor is still wincingly fresh in my mind, since it happened just last Spring.  But the lingering embarrassment is finally waning.  You see, Jillian was about to give birth to our fourth child–whom we now know is our son DJ–and she didn’t feel well enough to take our ten year old Eleanor to a Mother-Daughter activity at her then elementary school. So Jillian asked me to pinch hit for her–she sadly forgetting what the event was. I said sure!  Nor did Eleanor enlighten me either about the event beforehand, since she had been kept in the dark about it.  It was a surprise–in more ways than one.

As Eleanor and I walked into her fourth grade classroom one Friday afternoon–of a teacher’s institute day that the kids did not have regular school on–I did think it was odd that no other fathers were there, even though it had been billed as a Mother-Daughter activity.  But then, I puffed up with pride that I was taking time off from work for my little girl.  However, then reality set in as everyone took their seats in the cramped student desks and the school nurse started playing a video on the large screen in the front of the classroom.  Then I knew what the surprise was.  It seems that when young girls reach a certain age–around ten years old in fourth grade–the school sponsors a  Becoming a Woman activity  to make sure that all girls are receiving the necessary information.

If I could have slunk underneath the student desk chair I was sitting on, I would have.  But desk chairs for small fourth graders, are not necessarily designed for full grown 6 foot 2 inch tall men like myself.  So I just had to tough it out.  At least the room was dark while the video was playing–and no one could see my splotchy red embarrassed face.  I looked over at my daughter Eleanor sitting next to me and she was agog with the opening princess images in the video.  Then there were also the usual flower petals opening, with bees buzzing around fertilizing them, metaphor.  Seriously?  When I was this age, my Dad sat me down and gave me two pieces of advice.  First, women are to be loved, honored, respected, and cherished.  And second, always cover your rig.  Sparing advice, I know.  But my friends and I filled in the blanks.  Not so for little girls, because they have to be wary of little boys wanting to cover their rigs with them.

Before I even knew it, my little girl was on the cusp of womanhood–or at least soon to be menstruating. And I would now be buying women’s products for a third woman in my household.  The ease with which I admit that belies the total embarrassment I felt when I made my first foray into a grocery/pharmacy store to buy feminine products–for a sick at home wife, Jillian.  Happily, a nice grandmotherly lady recognized my inexperience and distress and she helped me decipher my wife’s wishes with regard to size, wings or not, and such.   Who knew that there was as much variety in feminine products as there are tools at a hardware store?   No, don’t go there.

Oh if only that kindly grandmother could have been with me last Spring as the Becoming a Woman video unfolded further. I started to become really anxious as the clinical anatomical illustrations appeared on the screen.  At least no genitalia were fully fleshed out–so to speak.  The little girls in the room were nodding their heads as if they understood that the reproduction being described–in such general detail as to be completely useless–would possibly be their own experiences in ten to fifteen years.  God willing, not before then.  Frankly, I don’t even want to imagine my little girls making babies with their future husbands.  And yes, that is the only way I will become a grandfather–no modern lifestyle out of wedlock pregnancies for my little girls.  If the men want the milk, they have to buy the cow.  And then the video was over and the lights came up, with the school nurse asking if anyone had any questions.  The mothers and I just smiled in relief.  It was over–or so we thought.

Then to our mutual chagrin, some of the daughters did have questions–ten year olds not being shy, but rather inquisitive.  In particular, Eleanor wondered if since her Mommy was about to give her a little brother or sister–we had chosen not to know the sex of our baby before it was born–then she asked if her Mommy and her Daddy had done reproduction?  I was mortified as all eyes turned to me.  The girls were eager to learn my secret as the only Daddy in the room.  And their mothers were clearly thinking payback, with thinly veiled amusement curling on their lips.  I did not want to reveal something so personal.  But my wife’s already well known about to pop pregnant condition did not allow me any plausible deniability in my culpability regarding her pregnancy.  So I punted my answer to Eleanor.  I smiled and said Yes Dear, we are soon to be blessed with our fourth child.

My daughter Eleanor looked at me quizzically, then she looked at the screen with the bee pollinating a flower image frozen there, then she looked back at me again.  And Eleanor probed further.  Sorry, poor choice of words.  Daddy, if the bee landing on the flower makes a new flower each time, does that mean that each …?  Gratefully, the school nurse intervened and deflected a potentially squirm inducing question to me from my daughter.  Not necessarily dear.  Shall we conclude with our refreshments?  The school nurse stood up and redirected everyone over to the cookies and punch that we enjoyed for ten minutes. I have never been so glad to see my daughter sugared up in my life.  At least while she was munching and sipping, Eleanor couldn’t ask me more questions that I will happily defer to her mother about. Then each little girl received a pink canvass bag with some brochures, feminine products samples, and treats in it.   While the mothers and I received our own canvass gift bags with helpful materials in them, too.  Well for me, the peppermints came in handy–I gave Jillian the rest of it.

V.  Fatherhood Redux

Suffice it to say that I am chastened and in awe of parents with more kids than Jillian and I co-parent.  Our four children are plenty. I am a doting and loving Dad being their soccer coach, chores assigner, diaper deputy, laundry captain, and bedtime storyteller, etc.   And I will happily defer to my wife regarding the reproduction education of our daughters. Thankfully, I have ten years to go before my son DJ will be old enough to need the two talking points chat that I received from my father.   My gleeful role will be to intimidate and criticize any boys my daughters have as dates, boyfriends, or fiancés.  Because I vow that no boy or man is good enough for my little girls whom I taught to dance by having them stand on the tops of my shoes as I danced around the room with them.  However I know that my daughters’ future happinesses will one day shift from my wife and I to their husbands and their own families that they create together.  And I must accept this with equanimity–grandchildren being the price that I require.  Because there is one thing that I have learned about becoming a father–now four times over–my life revolves around them. I am the Daddy.  And I am completely cool with that.

The EnPromo2009RichardArmitageHeadshotColour-byClaireNewmanWilliamsJun1513ranetd

Author’s Nota Bene:  It is my guess that if my Becoming a Woman genre video that I saw in elementary school had had talented British actor Richard Armitage narrating–as he does with “The Great Sperm Race” documentary from 2009 (see video below by Md.Obaej Tareq)–I would have paid much closer attention.  Ha!:


Author’s dedication:  For my late father, who taught me how to dance when I was a little girl, by having me stand on his shoes.

References, some also hyperlinked above

1) The story logo is a photo manip of two images:
a)  a man holding up his child  is from MS Office Clip Art found at
http://office.microsoft.com/en-us/images/results.aspx?qu=babies&ex=2#ai:MP900409516|mt:2|

b)  Richard Armitage’s head (masked, color) from the NYC 2012 Hobbit Promos  found at
http://www.richardarmitagenet.com/images/gallery/Richard/Promos/NYHobbitPromo/album/NYC-VictoriaWill-01.jpg

2) “CD9” means “Parents are around” as defined at a texting acronyms dictionary found at
http://www.netlingo.com/acronyms.php

3) Scat singing of sounds that don’t make up words, such as la la la is described at
http://en.wikipedia.org/wiki/Scat_singing

Posted in Richard Armitage, Love and Relationships, Family, childbirth, Creative Writing, Fun Day Sunday, Holiday, Blessings, Fiction, Humor, Fathers | Tagged , , , , , , , , , , | Leave a comment

Richard Armitage: A Fiercely Sexy and Magnetic Actor on Film, and a Charming Gentlemanly Man in Life, June 15, 2013 Gratiana Lovelace (Post #418)

NYCPromoWBTweets-01RichardArmitageAutographingJun1513ranet-Shrp-brt-hi-resI know that you might laugh at me, but it is the regular bloke portraits of talented rising international British star and actor Richard Armitage (Roots Canada, 2012, right) that capture my Richard Armitage Of "The Hobbit: An Unexpected Journey" Photo Sessionfancy.  He seems affable and easygoing–and oh so charming.  Dare I say adorable?   Even though RA is wearing a too small sweater with his sleeves pushed up (because they’re too short for his long arms probably, I have a tall husband, so sleeve length is always an issue) and leaning back into a leather arm chair (right), or when  RA smiles sheepishly at the camera as he obligingly autographs dozens of THAUJ promotional pieces (left), he has claimed my heart.

XXX _HOBBIT-RD197.JPG USA NYDon’t get me wrong, those drop dead gorgeous smouldering gazes of RA’s when he is in character or “pretending” he is disdainful (right) or when he is seething with virile masculine sensuality (left) Glamour-13RichardArmitage2013Jun1513ranet-brt-shrp-hi-res-crpwhile at photo shoots are very nice, too.  Sighhhh!  I’m just a “puddle of womanly essence” as I sift through and select these images.  Ha!  But, RA’s smoulder also seems a bit intimidating to me, Maybe it is because RA is usually frowning in these posed images–as if he is saying, you don’t want to meet me in a dark alley.  Yes, yes, I do.    Ha!

GeorgeGentlyRichardArmitageasRickyDeeming06Jun1513ranet-crp-hi-res-shrpAnd I guess that a Richard Armitage in dramatic character mMovingOn_036RichardArmitageasJohnMulliganJun1513ranet-crp-hi-resode and oozing sexual pheremones (right) is way out of my league. “Oh to be the fork” as someone coined as a label for this image.  Ha!  Yet a part of me yearns for Richard Armitage’s characters’ bad boy (left) or misunderstood man ways–as if the love of a good woman could reform or redeem his character.  Ha!  Gals, bad boys rarely reform.

VicarOfDibleyepi1-032RichardArmitageasHarryKennedyJun1513ranet-crp-shrp-hi-resSo I hope to look forward to more of Richard Armitage’s good guy characters once in a while–such as the cuddly Harry Kennedy from The Vicar of Dibley (left).  It is so interesting that Richard Armitage, the reserved quiet man commandingly  creates searing character portrayals in which he embodies dramatic conflicted men–from John Thornton to Sir Guy of Gisborne to Lucas North HobbitAUJ-613ThorinChargingAtAzogMay0113ranetBrtLessenContrastShrpto John Porter to Thorin Oakenshield, etc.–or he exudes courageous ferocity and acts aggressively (Thorin THAUJ, my cap right). Yet, we see through Richard Armitage’s light hearted interviews (see compilation video below)  that though Richard  Armitage is fiercely dedicated to his art as an exquisitely talented actor and master storyteller, the man himself, is also a gentleman and a gentle man–full of humor, humility, kindness, and warmth, etc.  Sighhhh!  Now that is so sexy to me.

“Richard Armitage || bad-tempered and moody” by frankreich


And Richard Armitage has stated that he likes we, his fans for being supportive of his career!!!  He is so charming and gracious!

Perhaps we need more fans and filmmakers realizing that mXnewspaper2013RichardArmitagePortraitJun1513ranet-hi-res-ShrpRichard Armitage (right) being a good guy in real life and him portraying a good guy on film now and again is just as edgy and exciting as him portraying the action adventure hero guy.  Because, it is everyday good guys, gentlemen, and regulLondonTHAUJ2012Premiere-52RichardArmitageMeetingPrinceWilliamJun1513ranet-Crp-hi-res-shrpar blokes who befriend and love and nurture and protect and honor the people whose lives they touch positively–in ways they may never know–who make my heart go pitty pat. They are often the unsung heroes of our lives.  And don’t forget, Richard Armitage is the man who shared the wonderful experience of his London THAUJ premiere with his parents by his side (pictured with his Mum left)–he is such a good son.

So Richard Armitage starring in a sweet little romantic comedy with him finding a nice girl to love and who loves him, struggling together with mortgage and car payments and kid orthodonture, etc., him changing a few diapers on his children, coaching his kids’ soccer team, stepping in for his wife and attending a school program with his 10 year old daughter only to belatedly realize it is the Becoming a Woman Mother and Daughter session about menstruation that he has to somehow sit through stoically so as  not to embarrass his daughter, and reading his children bedtime stories etc., wouldn’t be amiss–priceless, actually.  Sighhhh!

Posted in Harry Kennedy, Humor, John Porter, John Thornton, Kindness, Love and Relationships, Lucas, movies, North & South, Portraits, Richard Armitage, Robin Hood, Sexy, Sir Guy of Gisborne, Spooks, Strike Back, The Hobbit, Thorin | Tagged , , , , , , , , , , , , , , , , , | 5 Comments

The Hobbit: The Desolation of Smaug Teaser Trailer Caps by Grati, June 12, 2013 Gratiana Lovelace (Post #417)

I was completely bowled over by The Hobbit: The Desolation of Smaug teaser trailer that Sir Peter Jackson shared with his world of fans yesterday!  So here are a few of my impressions before I share with you the HD caps I made from the trailer.

The barrage of movie clips in the trailer gave us a glimpse of a much darker movie than the first one–if that is possible.  There are now more nemeses than just Orcs, goblins, spiders, obstructive Elves, and sleeping dragons.   They are all there, but times ten:

1) Antagonists (bad guys)–Azog’s equally hideous looking son Bolg has joined the fray.  I shudder to think how Orcs reproduce.  So far, no female Orcs have been seen–at least I don’t think we have.  Ha!   Goblin reproduction also strains credulity.  I am not asking for enlightenment–just something to get this image out of my mind.  Ha!  Maybe the dragon Smaug can help out with some fire breathing–kind of a “scorched Middle Earth” approach. I really wish the trailer had given us more of Smaug–breathing fire, flying around and terrifying people, etc.  And his eye seemed a tad small in proportion to the rest of him. But then, maybe nearsightedness in dragons is hereditary–or it could be their diet, too small meals of dwarfs and hobbits.  The dragons could supersize their meals and try some Elves–Thorin wouldn’t mind that, no love lost between him and the Elves.  Speaking of Elves ….

2)  Frenemies (friends who are also enemies)–The pompous Elven Lord Elrond (Hugo Weaving) gives way to the malicious Elven King Thranduil (portrayed by Lee Pace in full sneer).  Thranduil is father to Legolas (Orlando Bloom)–though no Mommy is in sight.  I just picture Thranduil insisting on wearing his spikey crown when he begat Legolas.  And Legolas (Orlando Bloom)  is back looking every bit as youthful as he was 12 years ago, must be the hair straightener the Elves use, it must smooth the wrinkles out of their skin, too.  But then, the LOTR films were 60 years into the future.  So, Legolas in DofS really has to look young.  Maybe it is all the verbal and non-verbal sparring Legolas does with new Elven character Tauriel (Evangeline Lily) that helps rejuvenate him.  Tauriel is supposedly “ruthless”, yet she is on the Dwarfs side.  Hmmm.  Then again.  Maybe Tauriel is that “Elven Glamour Model” Thorin supposedly had a fling with as referred to in an early Empire article about the Dwarfs in 2011.

3)  Protagonists (good guys)–I like to think that Gandalf (Sir Ian McKellen), Bilbo (Martin Freeman), and Thorin (Richard Armitage) and the other Dwarfs are the good guys.  But there will be much muddying of those good guy labels in film 2–as it no doubt sets up a series of dominoes of betrayals that will get knocked down one by one.  And we gain a new hero in the making in the person of Bard the Bowman (portrayed by Luke Evans). No spoilers here.  Ha!  But I would imagine that acts of heroism are going to be serendipitous in film 2, as these characters become even more complex and shatter our notions of “loyalty, honor, a willing heart” that was so present in film 1.

4)  Places in Middle Earth–Mirkwood has all of those nasty spiders spinning their webs and cocoons.  It makes me wonder if there are any opportunities for getting a booming silk trade going?  The Dwarfs could sacrifice a few goblins a week in exchange for distribution rights.  Though gold is the Dwarfs métier, they could always reach a compromise and go for gold lame.  Ha!  And though Dol Guldur was quite sinister looking–nary a light but for Gandalf’s staff (no comment)–the Necromancer wasn’t alluded to in the trailer.  Hmmm.  And then there is Erebor–now home to the Dragon Smaug.  As we can see in my caps below, Smaug takes a minimalist view to lair decoration. NOT!  He/Smaug wallows in the Dwarfs wall to wall gold.  But Smaug has been sleeping for about sixty years, so he can be excused for being so last century on style. And we have had a glimpse of Laketown–not Venice by any stretch.  Ha!

Oops!  I didn’t mean to take up so much space chattering away.  You came for my hi-res Desolation of Smaug trailer caps.  So here they are (in sequential order as they appeared in the trailer).  Note that by clicking on any of the caps, it puts them into a slideshow with a larger view–then you may download them if you wish to your own computer to enjoy.:

P.S.  No copyright infringement intended.  I am just a humble fan promoting a movie I am looking forward to seeing come December 13, 2013–The Hobbit: The Desolation of Smaug.  I don’t own these  caps that I made, the images belong to Warner Brothers, etc.  However, if you download and use my caps, it would be nice to have a mention of me and my blog.  And don’t forget to credit Warner Brothers. Thanks & Cheers!   Grati

P.S.  Oh and, let’s see that Desolation of Smaug Trailer again:

P.S.  So what did you like–or not like–about the Desolation of Smaug trailer?

Posted in Desolation of Smaug, Graphic, movies, Richard Armitage, The Hobbit, Thorin | Tagged , , , , , | 20 Comments

The Initial Movie Poster and Trailer for The Hobbit: The Desolation of Smaug is Unveiled Today! June 11, 2013 Gratiana Lovelace (Post #416)

TheHobbit-TheDesolationofSmaug-poster-Jun1013SirPJFBpageAs revealed on  “The Hobbit” Facebook page with an accompanying sample movie  poster desolation-of-smaug LogoJan1613TORN(left), Sir Peter Jackson and his creative team will release
“the new teaser trailer for The Hobbit: The Desolation of Smaug” (logo above right) will be unveiled this Tuesday, June 11th, at 10am PT / 1pm ET!”
That is 12noon my time. Yes!  Thank goodness for lunch hours!   Ha!

So as RANet advised, keep checking The Hobbit Facebook page for the trailer.  Let’s hope the net doesn’t crash with everyone trying to view it.  Ha!

And, when an uploadable version of that trailer is available on YouTube, I will post it here (thanks to RANet and RACentral for tweeting this Facebook link to the DofS trailer:

https://www.facebook.com/photo.php?v=10102354395589186

Thanks to RANet (www.RichardArmitageNet.com) for the Warner Bros  You Tube link to the DofS trailer–be sure to select HD viewing:

This trailer is so AWESOME!  I can’t wait to see this film.  And I hope Thorin wipes that smug look off of Elven King Thranduil’s face.

 

Hobbit-book-cover-75Jun1113childrensbookscomIn the meantime, thinking about Smaug and the Dwarves facing their mortal enemy in an attempt to reclaim their home at Erebor–and their birthright of gold that they toiled for with their own hands–made me want to go back to the original text of The Hobbit by JRR Tolkien—-for some context about the impact of the dragon Smaug on the Dwarf people.

We had a glimpse of the devastation Smaug wrought in The Hobbit:  An Unexpected THAUJ-PrinceThorin-vlcsnap-19h43m57s221March2613GratianaLovelaceCrpShrpJourney’s opening prologue (my caps as illustrations at right and below, except where noted).  But reading Tolkien’s words adds another layer of understanding–both for the story and for the second film in the trilogy, The Hobbit: The Desolation of Smaug. Here is an excerpt from JRR Tolkien’s The Hobbit, p. 19-21–as told by Thorin Oakenshield (portrayed by Richard Armitage):

THAUJ-THror-vlcsnap-26-19h43m57s221Mar2613GratianaLovelaceCrpShrp“… Anyway they [the Dwarves of Thorin’s grandfather Thror’s time’] grew immensely rich and famous, and my grandfather was King under the Mountain again and treated with great reverence by the mortal men, who lived to the South, …”

 THAUJ-Dale-vlcsnap-19h40m54s129March2613GratianaLovelaceShrp

“…They [the Dwarves]  built the merry town of Dale there in those days.  Kings used to send for our smiths, and reward  even the least skilful most richly.  …”

THAUJ-Craftsmen-vlcsnap-19h46m19s97March2613GratianaLovelaceCrpShrp“… Altogether those were good days for us, and the poorest of us THAUJ-DaleMarket-vlcsnap-19h41m41s130Mar2613GratianaLovelaceCrpShrphad money to spend and to lend, and leisure to make beautiful things just for the fun of it, not to speak of the most marvelous and magical toys, the like of which is not to be found in the world now-a-days. So my grandfather’s halls became full of armour and jewels and carvings and cups, and the toy-market of Dale was the wonder of the North.

 THAUJ-Arkenstone-vlcsnap-20h09m36s241Mar2613GratianaLovelaceCrpShrp         Undoubtedly that was what brought the dragon.  Dragons THAUJ-DwarvesGold-vlcsnap-19h53m17s193March2613GratianaLovelaceCrpShrpsteal gold and jewels you know, from men and elves and dwarves, wherever they can find them; and they guard their plunder as long as they live (which is practically forever, unless they are killed), … There were lots of dragons in the North in those days, and gold was probably getting scarce up there, …There was a most specially greedy, strong and wicked worm called Smaug. One day he flew up into the air and came South.   …”

THAUJ-SmaugAttack-vlcsnap-20h06m28s156Mar2613GratianaLovelaceCrpShrp“… Then he came down the slopes and when he reached the woods they all went up in fire.  By that time all the bells were ringing in Dale and the warriors were arming.  The dwarves rushed out of their great gate;  but there was the dragon waiting for them. None escaped that way.  The river rushed up in steam and a fog fell on dale, and in the fog the dragon came on them and destroyed most of the warriors-the usual unhapTheHobbit-TheDesolationofSmaug-poster-Jun1013SirPJFBpageCrptoGatepy story, it was only too common in those days.  Then he went back and crept in through the Front Gate and routed out all the halls, and lanes and tunnels, alleys, cellars, mansions and passages.  After that there were no dwarves left alive inside, and he took all their wealth for himself.   Probably, for that is the dragons’ way, he has piled it all up in a great heap far inside, and sleeps on it for a bed.  Later he used to crawl out of the great gate and come by night to Dale, and carry away people, especially maidens, to eat, until Dale was ruined, and all the people dead or gone.  What goes on there now I don’t know for certain, but I don’t suppose anyone lives nearer to the Mountain than the far edge of the Long Lake now-a-days.


THAUJ-OrphanGirl-vlcsnap-20h06m58s211Mar2613GratianaLovelaceCrpShrpThe few of us that were well outside sat and wept in hiding, and cursed Smaug, and we were unexpectedly joined by my father and my grandfather with singed beards.  They looked very grim but they said very little.  …”

THAUJTrailer2-21RichardArmitageasThorinOakenshieldJun1113ranetCrpShrp

“… After that we went away, and we have had to earn our livings as best we could up and down the lands, often enough sinking as low as blacksmith-work or even coalmining.  But we have never forgotten our stolen treasure.  And even now, when I will allow we have a good bit laid by and are not so badly off” –here Thorin stroked the gold chain round his neck – “we still mean to get it back, and to bring our curses home to Smaug–if we can.”

To lose everything they held dear–their homes, their livelihoods, their loved ones and their comrades could only have been born by a peoples whose inner fortitude would not let them give up.  And whose leader, Thorin Oakenshield, would also never give  up.

P.S.  And here again (below) is my mock movie poster that I made a while back for The Hobbit:  The Desolation of Smaug (using the scroll graphics, dragon eyes from Filmit, and the  movie logo from TORN):

TheDesolationofSmaugFanMadePosterJan1713GratianaLovelacejpg

Posted in Desolation of Smaug, Drama, movies, Richard Armitage, The Hobbit, Thorin | Tagged , , , , , | 6 Comments

“Love is a Choice”, Ch. 24 (PG-13)– Fanny’s Revealed Cause of Death has a Far Reaching Impact, June 09, 2013 Gratiana Lovelace (Post #415)

“Love is a Choice”, Ch. 24 (PG-13)– Fanny’s Revealed Cause of Death has a Far Reaching Impact,  June 09, 2013 Gratiana Lovelace (Post #415)

aaaLove_is_a_Choice_story_logo_Mar1313GratianaLovelace200x249(An original story by Gratiana Lovelace; All Rights Reserved)

[From time to time, I will illustrate my story with my dream cast of:  Richard Armitage as Lord Rafe Wingate, Carla Gugino as Lady Katharine Southwick Wingate, Lesley Nicol as Mrs. Plunkett, Emilie Francois as Anna Wingate, Mark Strong as Sir Collin MacGregor, Alan Bates as Lord Charles Wingate, Christian Bale as Stuart MacGregor, Daniel Day-Lewis as Sir Antony Southwick, Michelle Pfeiffer as Lady Charmaine Southwick, Catherine Deneuve as Lady Esmѐ Sinclair, Julian Sands as Sir Percival Southwick, Samantha Morton as Lady Lucinda Southwick, Raymond Coulthard as David Harriott, Rosamund Pike as  Fanny Miller, Brendan Coyle as Uncle Miller, Princess Adelaide as herself, and others, etc.]     [Story Logo 1abcd]

Author’s Mature Content Note:  “Love is a Choice” is a story of love and romance set in the early to mid 1800’s.  I like Regency sensibilities with regard to comedy of manners, but Romantic period modes of dress.   Ha!  As such there will be some passages in this story involving heartfelt love scenes (perhaps some R rated) and some passages involving highly dramatic moments.  I will label the maturity rating of those chapters accordingly.  Otherwise, the general rating for this story is PG or PG-13 due to some mature situations and topics.  If you are unable or unwilling to attend a movie with the ratings that I provide, then please do not read the chapters with those labels.  This is my disclaimer.

Additional Disclaimer: The Wiki and other reference links I cite contain general information merely to indicate that a place, person, or artifact, etc.,  possibly existed.  Though I try to use real locations in England and I make reference to some historically complementary information whenever possible, the fictionalized history that I write about for these towns, towns folks, and areas in my story are mostly figments of my imagination and should not be taken as fact.

Author’s Recap from the previous installment:  Lord Rafe, Lady Katharine, and Anna’s visit to the sea side in Essex at Sea Grove Cottage proved to be a wonderful bonding time for little Anna and her father Lord Rafe–and also as the new little Wingate family with Lady Katharine. Lady Katharine was also able to reconnect with her childhood friend, Cassie, who just had her first child Beatrice.    And the newly little Wingate family’s project to honor Anna’s mother Fanny Miller’s memory–in addition to Anna and Lord Rafe writing FannyImagisRosamund-Pike-as-Jane-Bennett-008Apr0413guardiancouk-resized-crop-rough-pastelsdown their memories of Fanny and Lady Katharine’s lovely portrait drawing of Fanny [(2) right]–now also includes moving Fanny’s body from her village cemetery to the Dearing Manor Estate’s private Wingate family cemetery with full funeral honors. Lord Rafe’s best friend Sir Collin MacGregor will undertake the charge to bring the late Fanny Miller’s body to Dearing Manor near Warwick in Warwickshire. But Sir Collin will run into obstacles, and a dark and sinister mystery that will impact more than just the Wingate’s and their extended families–though it will affect them most personally.

“Love is a Choice”, Ch. 24:  Fanny’s Revealed Cause of Death has a Far Reaching Impact

During the remaining week that Lord Rafe, Lady Katharine, and Anna spend in Essex at Sea Grove Cottage, Sir Collin MacGregor [(3) right] travels to young Anna Wingate’s former SirCollinImageisMarkStrongasKnightlyin1996Emma_809869Mar2513rovicorpCropBrtShrpFlipvillage home in Clearwell in Gloucestershire to arrange transferring Fanny Miller’s body to the Dearing Manor family cemetery in Warwickshire.  This is a very personal commission for the gentlemanly and distinguished Sir Collin from his lifelong friend Lord Rafe.  And Sir Collin is honored to attend to the arrangements of this heartfelt family matter.  However, Sir Collin runs into an impediment–if one can call a person an impediment–and then he uncovers a very dark and sinister mystery involving the deaths of more than Fanny Miller.  Sir Collin MacGregor finds Anna’s Uncle Miller most uncooperative as they speak at the mill that he now owns outright.

Sir Collin:  “Mr. Miller, I say again that I am surprised that both my and Lord Rafe Wingate’s letters should have both been misdirected such that you are unaware of Lord Wingate’s desire to transfer Fanny Miller’s body to his estate in Warwickshire for reinterrment in the Wingate family cemetery.

Mr. Miller:  “I can-na help yo surprise.”  He sneers gruffly. The Miller [(4) right] is a coarse  MillerUncleisBrendanCoyleinNandSPromo-03Jun0613ranet-croptoMilleronly_Hi-reslooking man, accustomed to hard labor and long hours in keeping his flour mill running–as well as his own farm.  Not tall, but not short–with a rounded face and a body girth that conveys a sense of strength, if not power. And the Miller has a set way of looking at his betters–in this case, Sir Collin MacGregor, Magistrate of Oxford–as if they were not his betters.  To venture to say that Mr. Miller is being uncooperative and obstreperous–a state of being that Anna would say is generally true to his nature–is an understatement.

Sir Collin:  I assure you that I will pay for your and others’ assistance in this matter.”  He adds enticingly.

Mr. Miller:    The miller stares coldly at Sir Collin, weighing his response.  “Yo gold is na needed here.  We might live cheap, but we be honest hard working folk of property.”  He says pridefully as now owner of the mill and his farm–well, he rents his farm from the local squire landowner.  “Our hands be too busy with the toil of our lands to do extra work that does na need doing.”  Miller shows Sir Collin his rough calloused and very dirty hands.  “And Fanny be dead.  Digging up her body and moving it will na change that. Let it be.”

Sir Collin wonders why this man is so reticent to assist him–even refusing payment, when the offer of a few coins usually makes the lower classes more amenable to their tasks.   Nay, Sir Collin feels that Mr. Miller is not only argumentative, but obstructive.  The question in Sir Collin’s mind is, why?  Though not born a suspicious man, as Magistrate for Oxford Sir Collin has had to adjudicate all manner of legal cases put before him–many including nefarious individuals who were judged to have acted with malicious and sometimes deadly intent.  So Sir Collin is experienced in the ways of the world–and he recognizes a seemingly malicious nature in the Miller.  However, Sir Collin then tries to appeal to the Miller’s sense of family in order to gain his assistance with exhuming Fanny Miller’s body.

Sir Collin:  “Ah!  But Sir, Fanny Miller’s daughter, Anna, does care.  And she wishes her Mama to be near her so that she may visit her grave and put flowers on it to honor her Mama.  Would you not show compassion for your young neice Anna in her time of grief?”

Mr. Miller:  “Aye!  Were she that you name truly my neice.  But now all will know that she is not my niece.   It was a lie!  A lie that kept me from being owner of this mill when my brother died nearly twelve year ago–him not knowing that his widow would lie with a man so soon after he died and get herself with child that she passed off as his, or he would have willed the flour mill to me.”  He states bitterly.

Sir Collin:  “However, I am given to understand that Fanny Miller turned over the running of the mill–and all of its profits–to you upon her husband’s death.  She only retained the small home she resided in and abundant flour for her pastry goods that supported she and her child.” Sir Collin looks upon the Miller with a raised eyebrow.

Mr. Miller: “The mill shoulda been mine, by right!”  He reinforces intransigently to the magistrate, Sir Collin. “I knew Anna were not of my brother Miller!   But I could na prove it.”  He clamps his jaw firmly shut as he stares at this fancy dressed magistrate. When in actual fact, Sir Collin is wearing very conservative fabric as befits his solemn role as a magistrate–no fancy velvet or satin in sight.

Sir Collin: Looking at the Miller with a sickening growing suspicion about why the young and seemingly healthy young woman Fanny should so quickly wither and die, Sir Collin wonders if the Miller had anything to do with hastening Fanny Miller’s death.  But Sir Collin states tactfully.  “From what I hear, the woman and her child were of little bother or trouble for you.  If anything, their bringing in of customers for her much sought after pastries brought additional customers your way to purchase the flour that she made her pastries from.  You have full ownership of the Mill now and should be satisfied.”  Sir Collin waves his hand in the air officiously–as he does when closing a case in his court.

Mr. Miller: “It still were not right.”  He grumbles bitterly.

Sir Collin:  Finally voicing his concern aloud, Sir Collin says slightly accusatorially.  “It is also not right for a young woman in her prime to be struck down by a mysterious disease that claims her life in a bare few weeks time.  What do you say to that?”

Mr. Miller: The Miller’s eyes widen, realizing that this Lord Rafe Wingate–Anna’s true father–is powerful if he sends a magistrate to do his bidding, and could see him hanged if he wished it.  So he back peddles.  “Life is hard for village folk.”  Then he adds almost without thought.  “The disease done carried off more wives and mothers than only Fanny.  Three gone and  four more village women sick and near to death.  So do not pretend to understand what you do not, Milord MacGregor.”  He forcefully addresses Sir Collin by his magistrate title.

The news of other women’s deaths, sends a cold shiver of dread throughout Sir Collin’s body–him wondering if these deaths are related?  Or are these other women’s deaths meant to hide the intended victim–Fanny Miller–so that the Miller could claim his mill?  Sir Collin looks upon the Miller and does not think the Miller capable of being so strategic–though certainly capable of murder.  Perhaps the flour that Fanny used from the mill was tainted by Miller in some way and it inadvertently made its way to the other women and caused their deaths as well.

What had started out as a simple gesture of friendship in transferring Fanny Miller’s body for his friend, Lord Rafe, has turned into a murder investigation.  Given the current circumstances of there possibly being a murder to investigate, Sir Collin secretly congratulates himself for thinking strategically and fortuitously bringing two constables with him as a show of the force of law–and because they had earlier visited another locality pertaining to legal matters there.

Sir Collin:  Sir Collin’s patience is it its end as he assumes his role as Magistrate.  “Mr. Miller, either you have a disease epidemic in the village that for some strange reason only affects and kills women, or perhaps they have all been poisoned.  Why?  I do not know.”  Sir Collin stares warily at the Miller.

Mr.Miller:  “What are you saying?”  He becomes even more agitated–worried that he is being accused of something. “I did nothing!”

Sir Collin:  “We will see what an investigation brings.  Our answer will be with Fanny Miller and the others who have died–and with the women near death.  Come man, organize your hands and get shovels. We are going to exhume the bodies.”

Mr. Miller: “Ex ume?  What do you mean by that?”  He thunders.  Afterall, he is only a Miller and some words are beyond his limited lexicon.

Sir Collin:  “We will dig them up and examine the bodies for signs of anything unnatural in their deaths.”

Mr. Miller:  Looking at Sir Collin in horror, he spits out. “You canna to that!  It is blasphemous!  The church will na allow it.”

Sir Collin:  “I am a magistrate and I can do this.  And the church will allow it if they do not want more deaths. Now come with me and my officers of the court.”

Though it is unusual to have a murder suspect help dig up the potential murder victims, Sir Collin wants to keep the Miller under close watch.  And without a gaol or other enclosure with which to detain the Miller, the miller will be obliged to help with the digging–while Sir Collin scrutinizes his behavior and actions.

***

After informing the village’s young vicar of their intent, Sir Collin easily persuades him to go along with their plan due to the vicar’s naivete and ingrained discipline of bowing to authority.  And Sir Collin as magistrate is the authority in this matter.   The vicar also informs Sir Collin that the three women who have died so far were near neighbors.  So Sir Collin wonders if Fanny were killed by some poison to wrest the mill from her ownership and have it transferred to the Miller–then perhaps the other two women were killed because either Fanny had brought them into her confidence in case she worried for her own or her daughter Anna’s safety.  Or, perhaps the Miller feared that the other two women might have witnessed his guilt in some way.

For the men assembled in the simple country church yard, theirs is a grim task ahead of them.  The three women’s bodies will have been buried for three to four weeks already–and sure to be decaying–especially since none were buried in a casket, just in burial sacks.  Despite the corpses being buried in relatively shallow graves–three feet under–the heavy clay soil and recent rains compacting that soil makes digging difficult.  After three two man teams dig for two hours, all three dead women’s bodies in their burial sacks are returned to the surface of the ground. No one wants to open the sacks to see what grisly visage might be staring back at them–what with natural organic decay processes and insects that claim their meals indiscriminantly.

But Sir Collin is the one who started this and he peals back sack of the first woman who died to reveal her face.  Curiously, the first village woman to die was not Fanny Miller.  The other men do not look upon the sight. The vicar crosses himself and also refrains from looking upon the dead woman’s face. However, Sir Collin is astounded at what he sees.  Though not the most pleasant of faces, it has not decayed–nor are there noticeable signs of insect infestation on the chalk white face of the first woman.  But there do appear to be some dead insects in her hair. This is most unusual.

Sir Collin:  “Everyone!   Look at this!”  He commands.

The men grumble.  But their pride as men causes them to flinchingly look where they are bidden.  None of them can believe what they see.

Vicar: “This cannot be!” He exclaims in surprise.  “I have been told that bodies decay after two weeks.  And it has been hot and rainy which should have speeded that up.”

Sir Collin quickly unties the burial sacks of the other two women–including Fanny’s burial sack.  And their dead faces are in the same chalk white nearly pristine state as when they were buried weeks ago.  And these two women also have some dead insects in their hair or in their burial sack.  Sir Collin has part of his suspicions confirmed.

Vicar: “The faces of the women who are ill but not yet dead are also deathly pale.”  He offers offhandedly.

Miller:  Pointing to the dead women’s bodies lying on the ground before them, he cries out in a frenzy.  “Their bodies should be rotting–but tarne’t.  This be the devil’s work!”  He shrinks back in superstition as he crosses himself.

Sir Collin: “No!  It is not the devil!  These women–and I suspect that the women who are ill–have all been poisoned–arsenic would be my guess from their deathly pallor.” [(5)]

The village men and vicar look at Sir Collin in horror.

Vicar:  “But why?  How?  Milord MacGregor, you cannot think that we have a murderer in our midsts?”

Sir Collin: “That I do not know?  Do these dead women have any connection with each other beyond being neighbors?  Were they friends or relatives?”

Vicar:  “We are a small village of 200 people.  Everyone knows everyone else–and villagers are often related to each other by marriage.” He shakes his head.

Sir Collin: “Very well, that line of reasoning will not help us. What about the women who are currently ill?   Can we see any pattern about these women’s lives that might have made them vulnerable to harm from a murderer?”  Sir Collin is still not ruling out intentional causation of death by murder–as he stares directly at the Miller.

Mr.Miller: Defiantly, he states the obvious.  “They are all women.”

Men: The other men sneer.  “We know that!”

Sir Collin:  He quiets them with an officious wave of his hand. “No, no.  That is a salient point.  Why have the men not become ill?  What is different between the women and their husbands? Are these women being targeted for death by a killer, or is it something else?”

What else could it be, they all wonder silently to themselves?  The men look at Sir Collin as if he is mad.  Sir Collin is mad–with the germ of an idea that is taking terrible root in his mind.

Mr. Miller: “The men work and the women do not.”

Of course, the women toiling away with cleaning and washing and cooking by hand would have something to say about that.  The miller means that the women do not work outside their homes.

Vicar:  Not wed yet himself, he offers up what he thinks is of little help.  “I do not have a wife yet.  So I cannot offer any suggestions. I only interact with the village women at church, or when they do my laundry.”  He shrugs his shoulders sheepishly.

Sir Collin:  “What did you say?” Sir Collin stares at the vicar, not certain that he heard him correctly..

Vicar:  The vicar repeats himself slowly. “When they … do my …  laundry?” Then he quickly adds, lest Sir Collin think that the vicar is taking advantage of the village women by procuring their domestic service. “But the task has been much easier for the  women of our village in the last few months with the new and closer water well that was opened after it was discovered at the Clearwell Caves mines.”  [(6)]

Sir Collin stares at the vicar in mounting disbelief.

Vicar:  “You see, the women do not have to walk as far as to the convent aquifer wells to obtain water any more.”  The vicar looks at Sir Collin curiously.

Sir Collin:  He looks to the heavens and entreats mournfully.  “Is there no man of learning–or even common sense–in this place?”

Mr. Miller:  “Insulting us will not help?”  He balls his fists, wanting to strike Sir Collin–but knowing that it would mean his own death.  Sir Collin as magistrate represents the crown.  To harm Sir Collin would surely mean prison and the gallows for the Miller.

Sir Collin: “No!  But returning to using the deeper convent water aquifer wells will make the town safe from further poisonings.  The mine water well is contaminated with arsenic–most mine wells are.  And that is a deadly poison in sufficient amounts to all living things.” [(7)]

Vicar:  “How can this be? We men have also drunk water from that well and not sickened and died?”

Sir Collin: “Yet I see a large cistern to catch rainwater next to your parish rectory.”  He gestures toward the cistern

Vicar: “Well!   I am all alone and the rainwater serves my needs in abundance.”

Sir Collin:  But I would guess that the women do not have that luxury.  With their washing and laundry and cooking and such women have a much greater exposure to the well water so far–and thus to the arsenic.  Eventually, the whole village will die if you do not close down that mine well.”

Mill Hand: Stepping forward, a worried young man asks.  “My wife is ill.  Will she recover if she does not drink the mine well water anymore?”  He asks hopefully.

Sir Collin:  “Sadly, I do not know.” Sir Collin shakes his head ruefully.  “The sick are in god’s hands.  But you can at least prevent anyone else from getting sick by stopping using the mine well water.”  Then he turns to the vicar again.  “Who is this mine owner?  He should have warned you about the mine well water being poisoned.”

Vicar:  “Milord, it is to Lord William Montgrieve whom you will want to speak.  The mines are his.  But he is mostly an absentee owner–living in London as he does.”

Sir Collin:  “Mines?”  Sir Collin is incredulous at the potential magnitude of harm to the populace from multiple mine water wells.  “This Lord Montgrieve has more than one mine?”

Vicar: “Yes, five more mines in two other counties.  And most of them have water wells also.”  The vicar nods wincingly with a growing recognition of the potential scope of the poisoning.
Sir Collin covers his mouth in shock.  Because if arsenic poisoning from contaminated mine water wells is killing these villagers here, then citizens in the other villages are also at risk if they consume water from  mine water wells.

The remainder of the day is spent reinterring the dead–except for Fanny Miller whose body is carefully cleaned, put into a new dress that Sir Collin had brought with him for her, and lain in the finely carved wooden casket with a satin covered cushion interior that SirCollin had also brought with him per Lord Rafe’s request.  Then Sir Collin organizes the other men in the village to board up the mine water well–spreading the word about the cause for the disease and their need to return to using the convent well aquifer water two miles away that is fed by a deep underground spring far away from any groundwater contamination issues.  He also talks to them about developing an engineering project that might bring the water from the convent wells to the village via an aqueduct system like the Romans used [(8)].

The next day Sir Collin’s retinue–of himself in his enclosed carriage, two constables on horses, his stable hand driving the wagon carrying Fanny Miller’s body in her casket–travel to Dearing Manor near Warwick in Warwickshire.  They will reach the Wingate Estate by mid day and Sir Collin will have several letters to send off to the authorities.  The first is to the crown, warning them about the Montgrieve mines well water potentially poisoning six villages in three counties and the authorities will have to act swiftly to close the mine wells so that more citizens do not die.  Sir Collin very likely thinks that charges of manslaughter will be handed down upon Lord Montgrieve’s head. And the second letter is to his longtime friend Sir Rafe to read upon his arrival home–since Lord Rafe is still on his wedding holiday with his wife and child–regarding the general details of Fanny’s death and the mine well water poisonings.

The sad fact is that Fanny Miller did not have to die but for the negligence of others.  It will be a crushing blow to Anna that her mother’s death was preventable.  Sir Collin knows that it may be small comfort to Fanny Miller’s daughter, Anna, now as she grieves for her mother.  But Fanny’s death–and the decision to bring her body to Dearing Manor to be reinterred in the family cemetery–has halted a negligent and preventable poisoning of the English citizenry, saving hundreds, and perhaps, thousands of lives.  Sir Collin also relates the full contents of the letter to Lord Charles Wingate, because it will fall to him to respond to any questions that Lord Rafe will have since Sir Collin must return to his duties in Oxford.  Though he and his family plan to return for the funeral of Fanny Miller in a few days time.

***

Lord Rafe, Lady Katharine, and Anna have a pleasant two day journey back to Dearing Manor from their sea side idyll of Sea Grove Cottage in Maylandsea, Essex. To lessen the boredom and fatigue associated with their long trip, they play card games and guessing games when not sleeping. Anna is frightfully good at both games, Lord Rafe discovers to his delight.  And the overnight stay at an inn was like a girl’s slumber party that Lord Rafe was privy to with all three of them staying in one room for safety–Anna slept on a cot at the foot of their bed.  So, Lord Rafe and Lady Katharine’s chaste sleeping that night might have been construed to be a tad frustrating, if not unpleasant.  But Lord Rafe watched enraptured as his daughter Anna and his wife Lady Katharine made each others’ hair up into different designs with ribbons and adornments–even asking him to have a go with styling their hair, given his ability to tie Lady Katharine’s curls up with his cravat earlier.  However, Lord Rafe absolutely refused when the ladies wanted to dress up his mop of longish curly hair–a man does not do ribbons, no matter how much his young wife and younger daughter might plead.  He has to draw the line somewhere on affability.  Yet, he shakes his head and smiles at them bemusedly for requesting it.

As Lord Rafe’s, Lady Katharine’s, and Anna’s carriage turns into the long drive up to Dearing Manor looming before them, they cease their chatter as they pass by the Wingate family cemetery and see that a grave has been freshly dug–knowing that it will soon hold Anna’s beloved Mama Fanny.  Sitting next to Lady Katharine on the carriage bench opposite of Lord Rafe, Anna turns her face into Lady Katharine’s embrace and weeps.  Her tears have lessened over their wedding/family trip together as a family these past two weeks. But coming home to Dearing Manor and seeing the grave makes Anna’s feelings of loss come to the surface.   Lord Rafe leans across to them and gently strokes Anna’s shoulder.  Then Anna brings her left hand down from clasping around Lady Katharine and holds her hand out to her Papa and Lord Rafe clasps her hand in his.  It is a moment of shared grief as they all weep.

However Lord Rafe is still, as yet, in the dark about whether his friend Sir Collin has managed to transfer Fanny Miller’s body to Dearing Manor.  With the Dearing Manor estate grounds keepers having alerted the house staff that the young master, Lord Rafe, and his family approach, Lord Charles and Lady Leonora Wingate turn out to greet them.  Lady Leonora is overjoyed to see them after their two weeks away from her.  And she is especially eager to learn how her son and his wife fared with his daughter Anna.  Lord Charles Wingate’s countenance is usually taciturn–though he cheers up for his grandchildren and family.  However, the shocking news of why Fanny died that Lord Wingate must convey to his son Lord Rafe is a burden that he would wish to set aside. But such are the duties of family–whether noble or peasant–to share their lives together in good times and in bad, and to cleave unto each other when death claims one among them.

The carriage stops a few feet in front of Lord and Lady Wingate.  The footman alights from the carriage and opens the door.   The persons within have all composed themselves, mostly.  Sorrow will have its proper place in two days time. But today is a homecoming.  Lord Rafe exits the carriage first and greets his mother then father.

Lord Rafe:  “Mama!”  He kisses her cheeks warmly and gives her a hug.

Lady Leonora: “Why Rafe, you look tan.”

Lord Rafe:   “Yes.   We spent half of everyday in nature.  It is a wonder that you recognize us.” He smiles.

Then Lord Rafe greets his father.

Lord Charles:  “Rafe.”  They shake hands.

Lord Rafe:  “Papa!” He hugs his Papa–who accepts the embrace warmly, but stiffly.  Lord Charles is an old soldier who does not often show emotion–at least, not when servants are about.

Lord Charles:  “All has been made ready for Fanny’s funeral.  She is here. Fanny lies in state in the small parlor library.”  He looks straight into his son’s eyes.

Lord Rafe:  Lord Rafe’s demeanor saddens.  “Yes thank you, Papa.  We saw the grave as we rode up the drive.  Seeing it upset Anna again.”

Lord Charles: “Rafe, let us get you all inside the Manor. But you and I will need to talk later.  Sir Collin had some news to relate that he wanted me to give to you privately.”

Lord Rafe: “Of course, Papa.”  Turning around, he sees that his wife and daughter have still not exited the carriage, though a footman holds out his hand at the ready.   Lord Rafe points his finger to the carriage for his parents benefit and walks over there.

Footman:  “They are detained my lord.”  The footman explains why he has not helped them exit the carriage.

Lord Rafe:  Lord Rafe nods his head knowingly–given Anna’s recent outburst when passing the open grave. “Let me.”  The foot man stands aside and Lord Rafe peeks his head into the carriage.  “Did my ladies wish to enter the manor with me to refresh and revive ourselves after our long journey?”

Lady Katharine:  Lady Katharine still embraces Anna,  who is very quiet and not looking directly at her Papa just now–though she sneaks glances out of the corner of her eye . “Rafe, Anna does not wish her Grandmama to see her so upset about her Mama Fanny.”

Lord Rafe and Lady Katharine exchange understanding looks and shrug their shoulders as to how to calm Anna.  He decides the straightforward approach might work best.

Lord Rafe:  Leaning in further and taking Anna’s hand in his, he begins.  “Anna.”   She does not respond.  “Anna, please look at me.”  He gently requests and Anna turns her head to look at him.  “Sweetheart, your Mama is here in the manor. Shall I take you to her casket?”

Anna: Flinging herself into her Papa’s arms she weeps.  “Yes, Papa!  I want to see my Mama again!”

Lady Katharine:  “Anna, I do not think …”

Lord Rafe:  He interrupts her, but concurs. “I do not think that will be possible. But we will take some flowers to lay over her heart on top of the casket.

Anna: “Why can I not see her?”

Lord Rafe:  “Dearest, do you remember the fallen bird we came across in our walks?”  Anna nods. “In death, it had begun to wither away as all things do.  Your Mama would want you to remember her as she was in life, not as she is in death.”

Anna: “Papa!”

Lord Rafe:  Lifting Anna into his arms and carrying her out of the carriage–even as Lady Katharine follows closely behind them–he whispers soothingly to Anna as Lord Rafe’s parents follow in step behind them as they enter the house.   “Anna sweetheart, I remember your Mama Fanny as a young woman of twenty years with golden hair, rosie cheeks, and a musical laugh that made the birds envious–for their songs could not compare.  She loved baking delicious concoctions and often had as much flour on her person as was in her pastries.”  He smiles with the memory.  “Fanny was the most gentle soul I ever met–giving, kind, loving and sweet.  And with our memories of Fanny, she lives on in our hearts–and we are her legacy in the world.”

Anna gives a small nod to her head, but continues to weep. Seeing the open grave has brought it all back to her, her Mama is dead.  And she must somehow find a way to live with her constant grief–for it will not abate, lurking ever present in the shadows, waiting to overwhelm her again.

Lady Leonora:  Lady Leonora kisses Anna’s cheek as she rubs Anna’s back while Anna is still being carried in her Papa’s arms.  “Anna Sweetheart, we will let you settle into your room for a few moments. Then we will have tea in the family parlor.”

Anna: “Yes, Grandmama.  Thank you.” She manages to respond.

Lady Katharine:  “Come Rafe and Anna, let us dispel the dust of the road from ourselves.”She smiles at them caringly.

Lord Rafe sets Anna on her feet and the three of them hold hands as they walk upstairs together. Once in Anna’s bed chamber, Lady Katharine helps Anna with her toilette–washing her face of tears–as she did that first night they met when Anna came to live with her Grandmama Leonora–whilst Lord Rafe returns to his boyhood bed chamber to refresh himselfLordRafeafterShavingisRichardArmitageinMarieLloyd-19Jun0813ranet-crop-clr-hi-res.

***

As Lord Rafe finishes washing his face after shaving in the basin [(9) right]–with his jacket, vest, cravat and shirt off–Lord Rafe hears a knock on his boyhood bedchamber door.

Lord Charles:  “Rafe, it is Papa.  May I enter?”

Lord Rafe: “Of course, Papa.”  He strides over to the door and opens it.

Lord Charles:  Lord Charles walks into the room and shuts the door behind him.  “I am sorry to have to bring this news to you now, but it cannot wait.”

Lord Rafe:  He motions for his father to sit opposite him in matching club chairs at the fireplace.  “As you wish, Papa.   Please sit.”

Lord Charles:  Removing Sir Collin’s letter from his jacket pocket, Lord Charles hands the letter to his son and begins.  “Sir Collin discovered something when he went to retrieve Fanny’s body.”

Lord Rafe:  “Oh?”  He looks at his father with dread.LordCharlesWingateImageisAlan_Bates1290Mar2513peoplequizHi-resShrp

Lord Charles: “Fanny did not die of natural causes.  She was poisoned.”  Lord Charles [(10) right] states grimly.

Lord Rafe: “My god!  By whom?”  He thunders, feeling afresh the wound that is the loss of his daughter’s Mama’s life.

Lord  Charles:  “By what is the more accurate question.  It is all there in the letter.  But the short version is that the villagers had recently begun using water from a mine well and Fanny and several other women suffered arsenic poisoning and died.  There are more who are ill, their fate is unknown.”

Lord Rafe:  “Why the women only?  And should we be concerned for Anna’s health?”  He worries.

Lord Charles:  “The village women with their washing and cooking and such had greater exposure to it.   But soon the whole village would have become poisoned.  And Sir Collin believes that with Anna spending the whole of her days at the convent for schooling that had the clean water well–eating breakfast and lunch there–she was spared.  Though we should have the doctor examine her.”

Lord Rafe: “But were there no warnings to the villagers that mines have tainted water?  Did not the mine owner warn them?”  He asks incredulously.

Lord Charles: “Apparently not.  And it is worse.  The mine owner–a Lord William Montgrieve–has five other mines also believed to have water wells supplying their villages with water. Sir Collin has written to the crown about it and also to the vicar of each parish village to explain that they must not use the mine well water and why.  Over two dozen people have died.  But for us bringing Fanny’s body here to our estate and Sir Collin investigating her death–realizing the connection to the tainted well water–hundreds of lives could have been lost, and communities and families devastated.”

Lord Rafe: He looks soulfully into his Papa’s eyes.  “As our family is devastated.”

Lord Charles:  “Yes my son.  And there is something else.”

Lord Rafe: “I am almost afraid to ask.”  He shakes his head.

Lord Charles: “As you know, arsenic can be used as a preservative in taxonomy of species collections.”

Lord Rafe: “What are you trying to tell me, Papa?”

Lord Charles: “I have seen it with my own eyes–disbelieving what Sir Collin told me.  But Fanny’s body is still preserved as if she died only a few days ago–not three weeks ago.”

Lord Rafe:  “You are serious?”  His mind races, wondering if he should let Anna look upon her dead Mama’s face once more before they lay Fanny to rest?  Should even he gaze upon her?

Lord Charles: “Yes.  However, it does look like the ravages of decay are just beginning.”  He does not go into detail.  Then he adds gently.  “I would not suggest that you let Anna see her mother this way.”

Lord Rafe: Nodding his head.  “Of course.”

Lord Charles: “Nor should you.”  Rafe jerks his head up to look at his Papa.  “Let both of you remember Fanny as she was in life.”

Lord Rafe: Tearing up, Lord Rafe admits.  “That is what I whispered to Anna when I soothed her as we came into the Manor.

Lord Charles: “And another thing.”

Lord Rafe: “Papa, I do not think I can hear more.”  Lord Rafe balls his fists and presses them into his thighs to try to maintain his composure.

Lord Charles: Taking another envelope out of his pocket, he opens it and pours out a small gold cross into the palm of his hand.  “Fanny had been buried wearing this delicate gold cross necklace.” He hands it to his son.  “They must have thought that anything on her person was diseased, so they buried it with her. I had it cleaned so that you could give the cross necklace to Anna if you wish to.”

Lord Rafe: “Thank you, Papa.  But Anna may want her Mama to be laid to rest wearing this cross.”

Lord Charles:  “She might.  However, look at the back, there is an inscription.”

Lord Rafe: Turning the small flat cross over–it is not more than one inch long–he sees the initials on it and his tears flow. “RW, FW, AW.” He looks up at his Papa.  “It is our initials–Rafe Wingate, Fanny Wingate, Anna Wingate–as if Fanny and I were married.”

Lord Charles: Looking caringly at his son, he says softly.  “Son, your Mama said that Fanny always shone with love for you when your Mama mentioned you to Fanny. And Fanny took no other husband, though several had offered for her hand.   Perhaps, Fanny felt that having born your child, she was your wife in her heart.”

Lord Rafe:  Lord Rafe holds his head in his hands. “I wish I had known about Fanny bearing my child, Papa.”  He wails.  Then he says so quietly, it is almost a whisper as he looks up at his Papa again.  “Fanny was my first love.  My only love–until my wife Kate.”

Lord Charles: “I know, Rafe.”  He stands up and walks two steps over to his son who is still sitting down and he lays his hand on his son’s shoulder.  “When we lose the ones we love too soon–because it is always too soon–all we can do is to cherish the memories that we have of them.  It is difficult and painful, but must be endured.”

Lord Rafe:  “You speak as if you have experienced such a loss, Papa?”  He asks questioningly.  Because apart from his grandparents–who died of extreme old age–their family has not had deaths in their immediate family that he is aware of.

Lord Charles: “That is a story for another day, my son.”  He says poignantly wistfully.  “For now, we focus on Anna and you and the rest of us as we grieve for Fanny and prepare for her burial rites.”

Lord Rafe: “Yes, Papa.” Lord Rafe stands up, next to his father.  “Papa, I think this is the most that we have talked at one sitting since I was a young boy.” It is not an accusation–but it is an observation.

Lord Charles:  “Well son, before you became an old married man and father  yourself, you were quite busy living your life with school and then beyond.” Lord Charles intones with a fatherly twinkle in his eye, alluding to his son’s formerly rapacious appetite for paramours.

Lord Rafe: “I was rather a rolling stone.”[(11)]   Lord Rafe smiles bemusedly. “But I hope to see more of you and Mama now–especially since you are grandparents and guardians to my daughter, Anna.  And, I would avail myself of your wise counsel now and again.”

Lord Charles:  “I would like to see more of you, Rafe.”  He smiles warmly at his son.

Then father and son embrace–as they used to, when Lord Rafe was a little boy who  clinged adoringly to his big and powerful father.  They have always loved each other as father and son.  But now they renew their pledge to not take that loving relationship for granted any more.  Experiencing the death of a loved one gives one perspective on the fleeting nature of life–and the importance to truly cherish each other and to make our love known to one another.

***

During the next two days, Lord Rafe follows his father’s wise counsel and neither he nor Anna gaze upon Fanny’s face before her finely carved wooden casket is sealed prior to her burial service.  They want to remember Fanny as she was in life.  And Anna elects to keep Fanny’s simple gold cross necklace and wear it always as a measure of her devotion to her Mama and the little family that Anna, her Mama, and her Papa Lord Rafe are.  Lord Rafe also elects not to tell Anna nor his wife Lady Katharine of the circumstances of Fanny’s death now, but rather wait until just before they return to London in a few weeks.  Anna must know then, because London is sure to be talking about the mine well water poisoning scandal.  But they will delicately break it to Anna when the time comes–that her Mama should not have died, but for the negligence of the mine owner regarding not saying that the mine well water was tainted.

Fanny Miller’s funeral is a small gathering of immediate Wingate family members–Lord and Lady Wingate, Lord Rafe, Lady Katharine, and Anna–and the MacGregors.  The Throckmorton’s can not attend because Lady Louisa is now in her third month of pregnancy and feeling the full effects of her morning sickness, which precludes her being able to travel from London.  Lady Louisa’s and  Sir John’s third child is due sometime after Christmastide.  But they write and ask Lady Leonora to have a beautiful floral arrangement made from the estate flowers on their behalf so that Anna knows that her Aunt and Uncle and cousins Henry and Lottie are thinking about her.

After the Dearing Manor Chapel funeral service for Fanny Miller ends, the Wingate family and friends walk from the chapel to the grave site.  The pall bearers for Fanny’s slight casket are the men–Lord Rafe, his Papa Lord Charles, Lord Rafe’s longtime friend Sir Collin, and his Lord Rafe’s godson Stuart. The ladies walk behind the men who carry the casket along the short walk to the near side of the cemetery, where Fanny’s grave awaits her burial under a tall overhanging tree. It is a lovely setting for Fanny’s final resting place–near the heart of the Wingate family cemetery to show her due deference as Anna’s Mama, yet with lush green grass and trees sheltering around it to give Fanny’s grave the feel of a private enclave of peace and calm.   Fanny’s casket is carefully lowered by ropes into the grave by the groundskeepers and the family tosses roses onto the casket–the family felt that this would be easier for Anna than them tossing handfuls of dirt, as if they were beginning to cover Fanny up.

Vicar Soames: He closes the prayers for Fanny’s burial using the 1789 Book of Common Prayer [(12)]:

ALMIGHTY God, with whom do live the spirits of those who depart hence in the Lord, and with whom the souls of the faithful, after they are delivered from the burden of the flesh, are in joy and felicity; We give thee hearty thanks for the good examples of all those thy servants, who, having finished their course in faith, do now rest from their labours. And we beseech thee, that we, with all those who are departed in the true faith of thy holy Name, may have our perfect consummation and bliss, both in body and soul, in thy eternal and everlasting glory; through Jesus Christ our Lord. Amen.”

The family embraces Anna, each in turn.  Then the MacGregors pay their respects to her with kisses on her cheek–or a clasp of hands in Stuart’s case.  Then they all pair up and walk back to Dearing Manor for a light luncheon before the MacGregors must depart for Oxford.  Sir Collin has many cases to sit in judgement over–and he must also travel to  London to give a formal statement to a tribunal formed to investigate the mine well water poisoning deaths.

So Stuart’s time with Anna is very short–they will not see each other again until at Christmas.  Stuart only wants to be a comfort to Anna as they walk back to the Manor with her arm lightly holding his arm. They walk behind the other couples.

Stuart:  Feeling awkward, but wanting to say something, he offers what he has heard others say.  “Miss Anna, your Mama had a lovely funeral service.”AnnaImageisEmilieFrancoisasMargaretinSense&Sensibility1995vlcsnap35m50s209Mar1613GratianaLovelaceCapMaskBigCropBlkDrs

Anna: “Thank you, Stuart.  It was much nicer than when Mama was buried in the village–they did not pray over her, but I did.  My Papa and Grandmama were kind to arrange today’s services.” Anna [(13) right] smiles weakly.  Anna is glad of their honoring her Mama in this way.  Anna is teary, but she has cried so much over the past few days that she is almost dry of tears–though Anna’s heartache for her Mama’s passing remains as a tear on her heart.

Stuart:  “How are you, Miss Anna?  Really?”  He asks caringly.  Stuart is still young enough at fourteen years to not have developed the manly art of ignoring his or others’ emotions.

Anna: “I am sad, Stuart. How could I not be?   I will always be sad that Mama is not alive and sharing in my life, and I in hers.”

Stuart:  “I am sorry that I never had the chance to meet your Mama.   But I am certain that she was a lovely person.” He encouragingly squeezes her hand on his arm.

Anna:  “How do you know?StuartImageisChristianBaleasPensiveTheodoreLaurence1994LittleWomenMar2513ChristBaleru041brtshrphi-resclr

Stuart:  “I know, because you are her daughter.  And you could not be as wonderful as you are without your Mama’s loving influence upon you.” Stuart [(14) right] says sincerely.

Anna:  “Thank you, Stuart. You are very kind.”  Anna appreciates Stuart’s thoughtfulness to her.  “But I must admit that Mama could be quite a perfectionist about her pies and other pastries.” Anna shakes her head with a small smile of remembrance.  “Mama taught me how to make the most delicious featherlight pie crust–for meat or fruit pies.  But her patience was beginning to wear thin until I understood the secret to making it.”

Stuart:  “Oh? What is the secret?”  He asks cordially.

Anna:  “Stuart, it would not be a secret were I to tell you.  Only family may know.”  She says impishly, as she playfully rolls her eleven year old eyes at him.

Stuart:  “Well at the very least, I hope that I might enjoy one of your pastries or pies someday.”  He leans in and smiles hard, like the fourteen year old young man he is.

Anna:  “Perhaps.  Stuart, thank you for helping me remember about Mama teaching me to make pie crusts.  I had forgotten that.”

Stuart:  He smiles warmly at her.  “My pleasure.”

Anna:  “I will have to add it to  my memory book about Mama.”

Stuart: “A memory book?” He asks quizzically.

Anna:  “Yes.  It was Lady Katharine’s idea–and Papa helped–for me to write down my memories of my Mama now, while they are fresh in my mind.  And Lady Katharine drew Mama’s portrait from my descriptions.  The portrait catches Mama’s likeness very well.  I have it hanging on the wall in my bed chamber.  But Lady Katharine also drew me a miniature version that I may take with me where ever I go.”  She holds up her other hand with her reticule dangling from it.

Stuart:  “May I see it?”  Anna smiles, and takes out her folding case that has the miniature portrait of her Mama in it and hands it to Stuart.  “Oh Anna, your Mama looks very beautiful–and she has a kind face.”  He hands the portrait back to Anna.
Anna: “My Mama was beautiful, and kind, and loving, and funny, and caring, and and joyful.   I will love her always.”  Anna tears up more again, and whimpers. “Hmm.”

Stuart turns toward Anna and embraces her caringly–rocking her gently in his arms as he strokes her back and kisses the top of her head–wishing that he could take her sorrow and pain away.  Anna receives Stuart’s comforting attentions gratefully. Lord Rafe watches this tender scene from a discreet distance and smiles–glad for Anna to have found a friend in his godson Stuart MacGregor.  Lord Rafe turns back toward the Manor and walks inside when he sees Anna and Stuart resume walking toward the Manor.  This day and everyday forward, the Wingate family and close friends will keep Anna in a protective cocoon of love and friendship. And slowly, Anna will find her way someday to remembering her Mama Fanny with more joy than heartache, and always with love.

To be continued with Chapter 25

References

1)       “Love is a Choice” story logo is a composite image comprised of:
a) Gold wedding gown (cropped to fabric of skirt) found at
http://0.tqn.com/d/honeymoons/1/0/C/w/belle2.jpg

b)  Oval picture frames were found at
http://www.inlineovals.com/product_images/q/675/602agp__91104_zoom.jpg

c)  Image (cropped, masked, brightened, color) representing Lord Rafe Wingate is that of Richard Armitage as John Thornton  in North & South  (2004) episode 2, picture 66 was found at
http://www.richardarmitagenet.com/images/gallery/nands/album/episode2/ns2-066.jpg

d)  Image (cropped, masked, brightened, color) representing Lady Katharine Wingate is that of Carla Gugino  as Nan St. George in “The Buccaneers” (1995),  Episode 1 vlcsnap-ooh09m21s203 Mar1313 Gratiana Lovelace screencap (cap)

2) Fanny Miller image  (crop, rough pastels) is of Rosamund Pike as Jane Bennett in the 2005 film “Pride & Prejudice” found at
http://www.guardian.co.uk/commentisfree/2013/jan/06/jane-austen-darling-child-turns-200

3) Sir Collin MacGregor image is of Mark Strong as George Knightly in 1996’s Emma Mar2513 was found at
http://cps-static.rovicorp.com/2/Open/Ernst%20Seibold/Jane%20Austen’s%20Emma/_derived_jpg_q90_250x250_m0/Emma%20Kate%20Beckinsale%20Mark%20Strong_809869.jpg?partner=allrovi.com

4) Anna’s “Uncle” Miller image(cropped) is represented by Brendan Coyle as Nicholas Higgins in North & South (2004), Promo pix 3 Jun0613ranet found at 
http://www.richardarmitagenet.com/images/gallery/nands/album/NandSPromo/album/NandSPromo-03.jpg

5)  Arsenic poisoning symptoms and treatments descriptions are found at
http://en.wikipedia.org/wiki/Arsenic

6) Clearwell Caves  in Gloucestershire have iron ore mines that as of this writing are no longer in use.  This writer has no knowledge of water from these mines being used for drinking and washing, nor that any poisonings occurred from them.  It is merely a plot device.  For more information about Clearwell Caves,  visit  http://en.wikipedia.org/wiki/Clearwell_Caves

7) For information about drinking water contamination by arsenic, visit
http://en.wikipedia.org/wiki/Arsenic
; “Many water supplies close to mines are contaminated by these poisons”. ; coincidentally, arsenic is also used to preserve organic materials for taxonomy and in taxidermy.

8) Aqueducts were structures that conveyed clean water from its source to the people who would consume it—sometimes over great distances.  For more information, visit
http://en.wikipedia.org/wiki/Aqueduct_%
28Roman%29

9) Lord Rafe image after shaving is Richard Armitage as Percy Courtenay in Marie Lloyd Queen of the Music Hall” (2007) by BBC4 and was found at 
http://www.richardarmitagenet.com/images/gallery/marielloyd/album/slides/ML-19.jpg
; For more about the miniseries visit http://www.richardarmitagenet.com/career/174.html

10) Lord Charles Wingate image (hi-res,shrp) s Alan Bates and was found at
http://www.peoplequiz.com/images/bios/alan_bates.jpg-1290.jpg

11)  The phrase “a rolling stone gathers no moss” refers to someone  who is in constant motion. For more information, visit http://en.wikipedia.org/wiki/A_rolling_stone_gathers_no_moss

12) The 1789 Book of Common Prayer BCP is nearly identical to the 1892 BCP.  So it would have been used by Anglican’s in 1826 when Anna’s Mama’s burial occurs.  For the full text, visit 
http://justus.anglican.org/resources/bcp/1789/Burial_1789.htm

13) Anna Image (dress color changed from blue to black) is Emilie Francois as Margaret Dashwood in “Sense & Sensibility” (1995) vlcsnap35m50s209 Mar1613 Gratiana Lovelace Cap MaskClrBrtShrp

14) Stuart MacGregor image (crop, brt, clr, shrp, hi-res)is Christian Bale as Theodore Laurence pensive in 1994’s Little Women was found at
http://christbale.ru/images/littlewomen/041.jpg

“Love is a Choice”, Previous Story Link to Ch. 23 is:


http://gratianads90.wordpress.com/2013/06/02/love-is-a-choice-ch-23-pg-a-visit-to-the-seaside-at-essex-brings-soothing-calm-and-reflection-part-2-june-02-2013-gratiana-lovelace-post-413/

Posted in "Love is a Choice" story, Creative Writing, Drama, Family, intrigue, Love and Relationships, Period Drama, Richard Armitage, Romance | Tagged , , , , , , , | 6 Comments

Guy Day Friday: Sir Guy’s Glimpse of Love, June 07, 2013 Gratiana Lovelace (Post #414)

In the BBC series Robin Hood (2006-2009) , British actor Richard Armitage portrayed Sir Guy of Gisborne–an errant knight who coveted what did not belong to him, desired what he could not possess, and ruthlessly campaigned to win the favor of the honorable Lady Marian.  Lady Marian’s hand in marriage would be a prize for any man–a rare gift to be cherished and treasured.

And yet over time, Sir Guy’s love for Lady Marian transformed from social ambition into a SirGuysGlimpseofLoveJun0713GratianaLovelaceheartfelt love for her–that sadly, he was never to receive in return from her.  Lady Marian’s heart was bound to another, Robin–just as her values were also not aligned to Sir Guy.  And in trying to take what Lady Marian would not give him freely–her love–Sir Guy was grasping at an illusory goal, doomed never to achieve it. Lady Marian’s heart belonged to another, Robin.

But for Margaret Hale’s change of heart and fortune in the BBC miniseries North & South (2004) , austere Mill owner John Thornton would have descended into a maelstrom of North&SouthIJohnTakeTheeMargaretWallpaperJun0713GratianaLovelacedespair and failing yet again–although he had tried his best, and he remained honorable in defeat–while also bereft of her soothing presence.  Though at first, bitterness and hurt consumed John in thinking that he had lost Margaret forever to another man–as bitterness also consumed Sir Guy whenever he thought about Robin.  But it was in John’s letting go of his hurts and desires to truly think of Margaret’s needs and wishes before his own, that allowed he and Margaret “found” each other again–and their love blossomed.

How different might have Sir Guy’s path have been if he had realized that if he truly loved Lady Marian, then he should let her go? How different might Sir Guy’s future have been if Lady Marian had taken her place by his side–as Margaret did for John?

Too late for Lady Marian, Sir Guy strove to be the better man that he felt Lady Marian saw in him, she hoped for him, she believed in him–honoring her memory.  Sir Guy’s steadfast love for Lady Marian remained constant even unto his own death.  And in a perfect world, I believe that they would have found each other again.

Here is a lovely video by JulietD001 that gives Sir Guy and Lady Marian their happy ending–in eternity.

“Sir Guy of Gisborne “Eternal Sleepsong””


Promo2012RichardArmitage17byRobertAscroft-Jun0713ranet-crop-clr-flipTwo men, Sir Guy of Gisborne and John Thornton–one tragically flawed, the other honorable but thwarted by circumstances beyond his control–both portrayed with finely nuanced sincerity, conviction, and heart by one man, Richard Armitage (left). Mr. Armitage so completely brought these characters to vivid life, that for many of us, that the roles of Sir Guy of Gisborne and John Thornton are more than merely engaging characters in entertaining stories.  Rather, these men embody the path that many of us take through life as we search for our purpose, seek out that which is meaningful for us, and strive for happiness and loved ones to share our lives with. These hopes are universal–as are these characters’ struggles.  For what we hold dear and what we value is  often only on loan to us–to cherish, to treasure, to be thankful for, and to remember–when memories are all that we have.

Posted in Love and Relationships, North & South, Richard Armitage, Robin Hood, Romance, Sir Guy of Gisborne | Tagged , , , , , | 1 Comment